Study On The New Art Style And The Burgundian Choral Works Of Creative Techniques

The new art style period and Burgundian choral works represent the medieval polyphony and achievement,which from the new artistic style of music in Europe,France,Italy,Britain and other regions tend to rise gradually until the later period of various Burgundian composing techniques directly lead to maturity of Renaissance polyphony.During this period,the number of voice polyphony gradually dominated by three voices,four voices have often appears in later works,which laid the foundation for the formation and development of the techniques of writing counterpoint harmony patterns.Alignment process,three,six degree interval gradually occupy a dominant position,followed by the interval cascade formed “three chord” structure in the works gradually emerged,many British acoustic music is the emergence of “East Wave” type six parallel chord.In the form of harmony,Landini has been the cadence composers to use,and on the basis of decoration,even for the bass part four degrees upward jumped into the tonic,namely “Goldge termination”.In this paper,the Dai Dingcheng choral classic European Renaissance chorus selected as the main reference examples,detailed analysis of music ontology in depth,including the background,registration,there are five aspects of quantity and rhythm of the music,music form,harmony of pseudo generic structure is elaborated,in order to more directly reflect the current situation with the development of this period of music creation technique.