The Research On From Aestheticization Of Everyday Life To Public Appreciation Of Art

At the turning of the century,the Aestheticization of Everyday Life was introduced into China as a social and cultural theory concept,which soon caused great discussion among literary and esthetics scholars.After a long period of precipitation and reflection,the increasingly apparent shortcomings and deficiencies of the theoretical paradigm of Aestheticization of Everyday Life itself inspired the emerging structure and theoretical concerns of local issues.The new concept of art theory,Public Appreciation of Art,was born in this context.This article discusses the development from Aestheticization of Everyday Life to Public Appreciation of Art,and explores the common issues of contemporary Chinese art in the theoretical perspective of Public Appreciation of Art.The thesis is divided into two parts.The first part discusses the concept of Aestheticization of Every day Life,which contains the rise of Aestheticization of Everyday Life and the development of this concept in the aesthetic life of generalization and background,including Chapter II and Chapter III.The Chapter ?discusses the rising of Aestheticization of Everyday Life.Modern social differentiation led to the separation of art and everyday life,but the prevalence of consumerism and democratic ideas contributed to everyday life beautification.With art and aesthetics[?]everywhere,Aestheticization of Everyday Life became a spotlight in the field of social culture theory.The Chapter III discusses the Aestheticization of Everyday Life entering China and its limitations.The introduction of Aestheticization of Everyday Life gives the aesthetic generalization of social reality a strong interpretation.However,the excessive aesthetic and features of consumerism ideological control make it powerless to change the reality of aesthetic vulgarization and commercialization,thereby stimulating the birth of the concept of Public Appreciation of Art.The second part discusses the concept of Public Appreciation of Art,mainly the theoretical and critical characterization of the concept,including chapter IV and chapter V.From public Rewards force concept and connotation,the chapter IV analyzes the performance and relationship of the dimensions of artists and the public in the domain of public art.It concludes that the strength of artistic accomplishment may lead to the balance and harmony in the public art domain.The fifth chapter discusses the criticalness of Public Appreciation of Art as a theoretical concept.On the one hand,its commitment to the contemporary construction in the public art domain has a dimension of Social Ethics;on the other hand,the critical method of consultation configurations that it contains,is the key to making artistic accomplishment possible and the way to the aesthetic education and liberation of humanity.The conclusion reviews the reasons and reality of aesthetic theory reduced to the edge in the twentieth century.On the basis of the course from Public Appreciation of Art to Public Appreciation of Art,the last part shows that art should come back to life,and we should return to the aesthetic.