Survey On The Acoustic Technology Of Ancient Stages In Ping Ding

Music archaeology is the science of music history research based on ancient music materials and objects.It is both a branch of historical science and an important part of the theory of art.The stage is not only a form of architecture,but also a comprehensive exhibition stand of ancient Chinese culture and art.The appearance of the actors of in the ancient times,not only made the drama literature,but also produced a lot of classic works;it also gave birth to the stage of the drama,leaving behind a thousand treasures of the stage.As a stage art of "singing,reading,doing,and playing",the opera performance has high requirements in singing,reading,doing work(body and expression,etc.)and martial arts.It requires both the form of the characters and the plot of the story to be "good-looking",as well as the pursuit of the rhythm of the songs and the pronunciation of the words to be "good”.Then,before the advent of electro-acoustic equipment,how do the stage performances solve the problem of sound transmission and expansion? Does the structure of the stage have different acoustic effects on the sound effects of the opera?As an important cultural and artistic heritage of the Chinese nation,the stage has already in-depth exploration and research in many academic fields such as archaeology,architecture,drama history,and theater history.With the establishment of the new China,the research in the field of acoustics in China has begun to touch the ancient stage.Directions,the content of acoustic research in many fields has repeatedly mentioned the problem of “setting sounds use a kind of Chinese pot-Weng” in China’s ancient stage.On the basis of a large number of field measurements,Yang yang,a student from Shanxi University has carried out a detailed experiment.Through a large amount of data analysis,it is concluded that the stage cavity does have sound and even the help of the stage function;and Wang Jiqing has a repeatedly study about the voice: It is a rumor to use Weng(a kind of Chinese pot)to make the voice in the audience.Many scholars have traced the origins,inferences,and opinions of this new acoustic hotspot.The question of whether the "cavity" is "assistance" is directly research the height of acoustic research.After the germination period of the pre-Qin Dynasty,the embryonic period of the Song Dynasty,and the maturity period of the Yuan Dynasty,the opera entered the period of development,prosperity and great times in the Ming and Qing Dynasties,and became an important cultural activity of the urban and rural people.Affected by regional culture and economic politics,those operas in the cultural,political,and economic center always make great achievements with unique conditions,and the prevalence of opera has an unquestionable influence on the specifications of the stage.Yang yang exemplified the great role of Shanxi merchants in the reform and promotion of Jin opera,and put forward the research ideas of "commercial road is the road to opera".In the Qing Dynasty,Pingding was located in the central of ancient Shanxi.Its political status,military status,economic status and cultural status are self-evident.It is speculated that there must be a large number of precious typical ancient places in the area.The remains of the stage are in urgent need of excavation.The author went to conduct research and interviews in various places,and found a large number of ancient theaters with different forms and different specifications.The ancient stage is not only the local products of local architecture,but also the historical witness of the local opera process,or the local stage.The ancient stage is the original embodiment of the architectural design of the craftsman.After comparative research,it is found that the ancient theater building components have many similarities with the contemporary singing and singing technology.Is it a coincidence? Or is the acoustic principle of today’s realization of the ancients already practiced?This thesis includes the introduction,the main body and the appendix.The second chapter to the fifth chapter constitutes the main part of the article.The sixth chapter is the appendix.It mainly presents some interview photos in the form of photos,which is intended to illustrate the acoustic concept of the ancient stage has an impact on the building of the new stage.The main body of the main part of the local ancient stage was sorted and summarized,and the detailed description of the acoustic structure and acoustic performance of the local stage was introduced,which led to the analysis of the typical local stage.Under the guidance of the instructor,this article introduces the stage construction artisan into the acoustics research of the stage that is crucial to the construction of the stage,and enumerates the examples of the professional craftsman’s reconstruction of the stage with poor acoustic performance,which truly reflects the professional craftsman’s voice,Scientific interpretation of communication characteristics and practical ability with wisdom.The diversity of the structure of the stage leads to the complexity of its acoustic research.As a student of a music major,there is a lack of physical acoustics.Please correct me if some parts may makes some mistakes.