On The "hypothesis" And "authenticity" Of Performances In The "Four Times" Of Anhui Huagu Dengyan's Works

Chinese folk dance performance theory is an unknown problem,and these performance theory proposed must pass through are summed up,in the practice exploration of the author by performing research works "four",summed up the experience acquired in the practice of the performance itself,and trigger out of dance performances in "assumption" and "authenticity" of thinking and understanding,for the Chinese national folk dance performance theoretical problems,such as to provide some reference value.Chinese folk dance has long had the performance of "dance and dance together",so the Chinese dance performance itself has the characteristics of the art.Here,the assumption is not false,but the characteristics of stage performance art space,on this basis,the performer is true for the behavior of the pursuit of art,emphasizing on the assumption that the real behavior of the performing arts scene.In the Chinese national folk dance performance art "assumption" and "authenticity" is a very common characteristic of the performing arts,but "assumption" and "authenticity" is not a contradiction,is between subject and object,performance and reflect,reason and sensibility,and in the dance performance between performers and audience independence and mutual relations of the communication.In this paper,the focus of this thesis is to summarize,analyze and expound the personal experience in the performance of "four times" as the research object.The thesis is divided into three parts.Firstly,the author analyzed the performance of "four times" and made an objective statement and introduction to "four times" in the perspective of performance works.Secondly,specific to how to present the "fake" and "authenticity" of dance performance in "four time" works and the inheritance and development of traditional anhui flower drum lantern dance in the individual performance;Finally,through the performance of the "four times",the author will experience and think about the concept of "authenticity" and "authenticity" in the performance creation.