The Use And Transformation Of The Chinese Folk Dance "style Diagram"

As a graduate of the first undergraduate course after the independent establishment of the Chinese folk dance department at Beijing Dance Academy,Tian Lu has experienced the aesthetic construction and self cognition of the "academy" folk dance,and participated in the construction and recognition with more affinity.Since the beginning of this century,Chinese folk dance has moved from classroom teaching to work creation.Tian Lu has gradually formed its own creative ideas and artistic styles.It has grown into the backbone and representative figure of the "academy" folk dance creation in the constant breakthrough,transformation and transcendence.A case study of Tian Lu dance creation is analyzed,combined with the works of the form creation notion of the subject research and theoretical research methods of a series of three parts,trying to take more to the point,the institutesend folk dance nearly twenty years of creation and cultural orientation perspective.Tian Lu’s creative ideas and creative techniques represent the fear and consideration of the traditional Chinese folk dance composers,as well as their personal thinking and artistic pursuits under the current circumstances.In order to make the stage expression have the rationality of national cultural identity,we need to establish the recognition of national culture in the process of expression,so that the transmission of body culture can become a channel to pass the national selfesteem.It can be said that the case study of Tian Lu’s dance creation not only provides an opportunity for Chinese national folk dance creation,but also provides a more feasible way for the academy to create folk dance’s research methods and theoretical consciousness.