Lin Lianghua's Artistic Style And Aesthetic Orientation Research

Lin Liang,the word to good,Cantonese,is the Ming Dynasty Zhuo and achievements of the palace flower and bird painter.His ink freehand freehand flower painting,both desirable and indulgent free and easy,relaxed degree,retractable,unique in the Ming Dynasty body painting,not only realized by the fine rigor of the realistic painting to Jane Yi Feng’s free painting of the perfect transition,But also on the future and later have had a very far-reaching impact.In the early period of the founding of the Ming Dynasty,the character-sensitive Ming emperor Zhu Yuanzhang in a tough way against the political system and ideological rule on the relatively relaxed culture of the Yuan Dynasty,but strive to promote the Yuan Dynasty before the culture,especially in the court painting,Zhu Yuanzhang even according to their own Intentional propositions let them create.The artist who works in his work will be rewarded.On the contrary,some painters who do not meet his painting requirements will be life-threatening.This suppression of the painting thought,to a large extent limit the artist’s freedom of creation.It was because of the influence of the emperor’s "anti-Yuan Fu Song" thought,when the court painters in order to please the ruling class,have begun to learn the Song Dynasty family long.Lin Liang,a painter who serves the court,is no exception.But unlike other painters,Lin Liang is a painter who understands "bearing" and"changing".He does not blindly imitate the style of the Song people,but rather learn boldly,Especially in the performance of birds and birds on the theme of the painting,not only modeling accurate,vivid,but also the ink freehand flower painting to a new Level and height.Lin Liang became the first person to use the ink to show the theme of birds,both to meet the aesthetic needs of the ruling dynasty ruling class,in turn convey their spiritual world out.His works of flowers and birds can be described as fine ink wonderful,interesting days.In addition,Lin Liang also by the literati painting "to book into the painting,"the impact of thinking,will be dynamic and dynamic cursive strokes applied to the painting which,in its representative "shrubs poultry map" is reflected,especially The description of the background,such as:grass,branches,bamboo and other objects,Lin Liang to cursive words to be expressed,and the birds in the forest echoes,complement each other,to the viewer with fresh and cheerful feeling."Shrub and poultry map" as one of Lin Liang’s representative works,but also the embodiment of its painting style.This article also through the ink,the subject matter,composition,pen with these aspects,the "shrubs poultry map" were analyzed,in order to further reflect the artistic style and characteristics of Lin Liang flower and bird painting.Lin Liang as the Ming Dynasty ink freehand brushwork and painting of the factional figures,not only the history of Guangdong art a pearl,but also for the history of ancient Chinese flowers and birds into the fresh air.Of course,and then learn from Lin Liang countless people,such as Shen Zhou,Chen Chun,Xu Wei,eight mountain people,etc.,which are for the vigorous development of flowers and birds played a role can not be underestimated,later had a great impact.