Research On The Formation And Development Of The "Salang" Dance Of The Yi People In The Tibetan Mastiff Corridor

Tibetan-Qiang corridor is the important part of the Tibetan--Yi Corridor,which is mainly located at the upper reaches of Min River in Tibetan--Yi corridor.Tibetan--Yi corridor proposed by Mr.Fei Xiao Tong is a concept of historical geography,in which there are also another regions like Sichuan,Yunnan,alpine and canyon regions in Eastern Tibet and Hengduan Mountains in Western Yunnan,the ethnics in this corridor have a lot of diversity and multifarious branches,especially Tibetan--Qiang corridor.The concept of Tibetan-Qiang corridor has profound academic and cultural significance,which provide the best historic language environment for understanding and studying the regional culture.because of its unique alpine environment,not only it become the deposition of history and culture,still retains many historical relics,cultural phenomenon also highlights The diversity and the same character,and consolidate the history and related culture of Tibetan and Qiang,Although Tibetan and Qiang people become two independent ethnics from the administrative division,but the classification system from ethnology viewpoint and traditional folk dance culture concept to study,Tibetan and Qiang culture corridor under the national folk dance is different from song,their mutual fusion is the history of the accumulation of common beliefs,common customs,folk dance culture and the bloom is the biggest highlight of it.This article puts forward the basic ideas of Mr.Fei Tibetan Yi Corridor concept,Zang and Qiang corridor as a regional perspective,focus on "Salang dance culture" as an example.The Tibetan and Qiang created with different dance culture,because two people have a deep history in a Shi Yuanyuan.Local weather,shared space,in the long process of historical development,the Tibetan and Qiang peoples waiting for the nation's unique culture,and create,generate mutual affinity,complementary beauty dance culture.The author thinks that in corridor area to study Tibetan dance culture,to reflect the respect history,accurate understanding of the status quo,rigorous the academic spirit,Especially important,to correctly grasp the current interaction between Qiang and Tibetan and Qiang dance have to say,corridor study provides a more comprehensive,more objective and historical development of the context.Compare the commonness and individuality of long-term use of cultural perspective to study the folk dance in the living state,the author elaborated the significance of the research this folk dance culture."Salang" dance is dance folk entertainment Qiang best,and Qiang people living together,religious beliefs,is an important part of traditional Qiang culture,and traditional Tibetan folk dance,the law of the most similar to"Salang" dance,dance and Tibetan and Qiang Folk Dance in the typical form and cultural phenomenon of the comparative research case,while emphasizing the common features of the Tibetan and Qiang nationality which appear in the traditional folk dance culture is closely linked with the family relationship in their history,therefore,from the two national culture,history,dance forms as the source of Qiang nationality " The origin,formation,dynamic " Salang dance,music rhythm,mining development,sorting out the different melody and Tibetan dance of the same place,comparing their cultural connotation and characteristics,explore the development regularity of Qiang " Salang " dance culture itself,which plays an important role in the reconstruction of the Qiang dance culture,the Study on ethnic corridor is also an indispensable supplement.