The Study Of The Lexical Rules Of The Forty-one To Forty-four Words Of The "Full Tang Five-Generation Words"

The Ci-poetry has a very important position in the history of Chinese literature.As the source of the literary genre,Ci-poetry in the Tang and the Five Dynasties play an important role in the history of Ci-poetry.In Tang and Song Dynasties,compose a poem to a given tune of Ci relyed on the melody beat,after the Song be destroyed,the Ci and music also was lost and had no lyrics criterion,so it becomes a very important part in the study of Ci-poetry to make comprehensive and normative poems.There are many good works of poems in previous research.And the successful people in this field were very numerous.But it is less people to focus on the poems of the Tang and the Five Dynasties,most of them used the Ci in each period as the research object.This paper will study the object for all Ci in the Tang Dynasty and the Five Dynasties,to establish the covering all the poems with comprehensive and targeted in the period.In this paper,"All CI of Tang and Five Dynasties" compiled Zhaomin Ceng,Jiping Cao,Zhaopeng Wang,Zunming Liu four gentlemen as master copy,it will select 41 to 44 words of the poem--a total of 20 Cipai,345 poetry to study.It is first proofreading basic research materials,the phonetic annotation of each word and confirming multi tone pronunciation,puts the poetry for the classification,induction of poems and traditional variants arrangement.And then comparing with previous studies,finally establish the poetry of the 20 Cipai and show the words,rhyme,level and oblique tones,sentence of these poems in the Tang and the Five Dynasties.At the same time,due to the object for the Song Ci poems,as it can reflect the changes of poems from the Tang Dynasty and the Five Dynasties to the Song in the comparison part.This paper is divided into four parts: In the introduction,this paper discusses the reasons for this topic,the significance of the study and states the research status of the subject,lists innovation and methods of the research.It is the programme for this article.The first chapter is introduction to the Tang Dynasty and the Five Dynasties,the first section discusses the origin of the Ci and the development of the Tang Dynasty and the Five Dynasties in the history of Ci,and clarifies the relation of poetry,Cipai and the poems.The second section discusses the differences of content,poems and language between the Tang Dynasty and the Five Dynasties and Song Poems to show the uniqueness of the Tang Dynasty and Five dynasties.The second chapter to the fifth chapter brings together the main results of this paper.In the second chapter to the fourth chapter,they analyze the poetry of 20 Cipai and analyzes Cipai one by one,including Cipai poems,positive variant analysis and comparison results,to show split case of Cipai in tables been clear at a glance.In conclusion,first of all,it summarizes the specific circumstances of 20 Cipai in table.Secondly,it summarizes the similarities and differences between the rhyme of the Ci poetries in the Tang and the Five Dynasties and the rhyme of the the portries in the Tang Dynasty and the Song.Not only got some basic rules of rhyme of the Ci poetries in the Tang and Five Dynasties,also summed up some laws of phonetic changes from the Tang Dynasty to the Song Dynasty.The main research result of this paper is the positive,variant poems of the Cipai in the second chapter to the fourth chapter.And the analysis of the features of rhymes in Tang and Five Dynasties' Ci poetries and the laws of phonetic changes from the Tang Dynasty to the Song Dynasty in the fifth chapter.