China's First Person Documentary Research In The Post-modern Context

This article is about the postmodern context of Chinese first-person documentary research,the basic view is that Chinese first-person documentary development and post-modern language are inseparable,so the postmodern context of the point of view will run through the full text.The main problems studied in this paper are as follows.First of all,it introduces the research status of the first person documentary at home and abroad,and gives a brief overview of the writing ideas.And then analyzes the connotation of the first documentary documentary,and points out the characteristics of the great background of the first person documentary creation and the characteristics of the creative subject.By summarizing the general characteristics of Chinese first-person documentary,it points out its frame structure,narrative style and audio-visual language.After that find out the status of the dissemination of such documentary,pointing out the advantages and disadvantages of their own transmission mode.Finally,combined with the specific Chinese context,Chinese first-person documentary contained in the cultural value of the in-depth thinking,and its future development to do a rational analysis.The paper is divided into five chapters,the main contents are as follows.Introduction.The introduction part first introduces the research background of the topic from the current form at home and abroad.Then,the purpose and significance of the topic are expounded.Finally,the main research contents and research methods of the topic are determined according to the actual situation of the documentary in China.The first chapter,with the first section to sum up the basic characteristics of the first documentary documentary.This is essential for writing this article.The second and third sections respectively from the first-person documentary film appeared in the background of the great background and the main features of the creative group two aspects of the whole to a deeper interpretation of the first-person documentary.On the one hand is based on the external objective of its emergence,which is the basis for its existence;on the other hand the development of their own internal factors,which is the first person to document the formation of the fundamental characteristics of the documentary.I think the first-person documentary post-modernity is mainly reflected in the:the sensibility,virtualization,life,localization,temporary,fragmentation and structuring of visual technology so on by the social context of the present time is influenced.The second chapter is the analysis of the main features of Chinese first-person documentary.One is the framework of the structure,based on Chinese unique historical and cultural and ethnic characteristics of the formation of the other is the emergence of the narrative way of life.From the root of the point of view,we can see that China is developed by a farmingsociety,unlike the American immigrant composition of the industrial society.Using the first and second sections to sort out the typical features of Chinese first-person documentary,the meaning of the personalized audio-visual language in such works is discussed in the third section.In the third chapter,after completing the research on the characteristics of the first documentary documentary in China,the main propaganda state of the first documentary documentary in China in the postmodern context is sorted out.The first section of the dissemination of a multi-perspective to do a combing analysis.In the first section on the basis of summing up its communication mode,the completion of the second section of the writing.In the third section,according to the three stages of the spread of the Web model,the dissemination effect is analyzed in depth from the level of mass communication.The fourth chapter explores the cultural value of Chinese first-person documentary.The first is the creation of the main body of all the basic professional quality and quality of their own quality.The second is on the basis of the creation of the works contained in the cultural value,and finally think about the ethical value of this system.The third section analyzes the path and prototype of Chinese first-person documentary in ethical morality from the roots of documentary production.In the fifth chapter,by analyzing the characteristics,propaganda and cultural value of Chinese first-person documentary,summed up the current state of its presentation: the standardization of creative groups,creative team growing trend;Spread from the cracks in the survival of the gray area to the current spread of a change,and how to improve the future spread;The third section analyzes the existence of humanistic moral values in this kind of film.