Silent Listening: On The Aesthetic Consciousness Of Chinese Poetry And Painting

In Chinese visual metaphor in the ancient culture,although it has a certain significance, but never in a dominant position. Whether it is the Confucian, Taoism and Zen, hearing also take on the function of cultural metaphor important. Confucianism from the music composition and the coordinated and orderly dialectical envisage a mystery universe movement and, in a way to listen to understand the change of the world. The Taoist culture also focus on the inherent "function structure relationship",pay attention to the sound of dialectical dimensions, Taoist "sound" voice of the ideal is to return to the whole natural that has not yet commenced in, to rebuild the body and the world that night. The relationship between tacit and induction to the rhythm of nature itself. In Buddhism, the silent sound reflected more fully, at the same time, no matter in the Buddhist heart concept, sound phenomenon is also more likely to be regarded as a purely spiritual phenomenon. So, here is the virtual sound the.China classical poetry Zhishizhizhong showing a kind of sound beauty of strong consciousness in the pre Qin period, people pay more attention to the objective voice form; and after the poetry, the voice of the description of more and more attention to combine with the situation and feelings; the Tang Dynasty poetry aesthetic to the voice of the expression not only in the scope of more abundant, but also in the combination of emotion and environment more complete and profound, poets will scenery subjective,will also be the soul of a sound phenomenon; after the Song Dynasty, the voice of the lyrical expression is more diverse. The sounds of nature have become poetic source, a poet emotional trigger Media has become the medium of expressionChina painting, especially paintings later is not particularly stressed that the painting of the visual function, is not true to the painting representation of objects as the evaluation standard, and the pursuit of rhythm and the rhythm of the picture, the pursuit of the painting line. As the core vocabulary of Chinese painting, emphasizes the formal logic of its own motion, which is the same with not only the music. The music and calligraphy pen are interlinked, and "multicolored ink" concept also reflects some of the spirit of music. Chinese painting ink taste and means, the pursuit of the beauty of the music, The music is to express the beauty of rhythm and a feel from the movement of the universe in life through ink On the one hand, this kind of music is conveyed by vivid ink, and on the other hand, it is unfolded by a kind of slowly unfolding schema,such as landscape paintingAs the text in the form of poetry and painting as a visual form and how it will not audible voice specific? In Chinese language through the use of onomatopoeia sound effect can not only produce a kind of language, but also in analog sound, the sound became audible. But onomatopoeia can only simulate the kind of relatively simple,repetitive, lack of fluctuation of sound. China poetry in addition to the direct performance of the sound, often through some indirect ways of writing voice. These methods can avoid the direct encounter words and voice, and in a roundabout way more effectively to write the situation and a greater effect of the sound from the Fruit.Painting visible images convey general invisible sound, or through the background and a void in the images of the relationship will sound phenomenon into a more essential existence. Although the sound itself is implied, issued the voice (pine, Qin, water, etc.)are obtained shown in the picture. But there is a voice Chinese painting theme,that is issued the voice does not appear in the picture, but by associating with a hint of acoustic images indirectly and sound.Visual and auditory has a relatively equal relationship in Chinese culture, and compared with western culture, the mutual relationship between China culture in the visual and auditory performance was more obvious. With Buddhism into China and interacted with the Chinese local culture in the pre Qin period as a consciousness based on the development of sensory comunication six interaction consciousness. China culture and pay more attention to the connection between the senses of natural behavior in the process of the sensory hierarchy and the "noble vision" concept does not exist in the Chinese, Chinese culture seldom focus with the sense of feeling, perception is not independent from the whole body or part of the function. Body Between the world is the basis for a variety of perceptual China culture discussion, leaving the foundation is difficult to really understand the China culture in the visual, hearing, taste, smell, the relationship between the perception of the other. Unable to leave some perception, also cannot leave the body itself to think about some perceptual significance.That China culture in auditory consciousness is not a functional as listening,but in a whole body mind and the world itself has a sense of the mystical and before induction.Chinese poetry to sound in the phenomenon of the sensibility and consciousness of auditory manifestation is behind a China of temporal unity consciousness. Hearing between inside and outside, the actual situation between physical and mental, and the sense of hearing Chinese reveals the emotional and rational balance. Voice phenomenon is not as sound phenomenon itself is felt, more importantly, voice always occurs in a silent in the background, and the voice of the total From the Wei and Jin Dynasties,Chinese art emphasizes the vivid portraiture and pursues the opposite of the rhyme...