The Aesthetic Study Of The Chinese Character "wind"

The study of "Chinese character aesthetics" is to explore the aesthetic meaning of Chinese characters as symbols themselves. Chinese character "feng" as one of the important aesthetic categories of ancient Chinese literary theory, its meaning and development reflects a deep thought path. Chinese character "feng" set divine, religious, musical, political,literary as a whole, with a profound aesthetic meaning. Oracle shape "feng" "?" with the word "feng" the original "divinity". And because "?" is the ancestor of music, making the"feng" with "musical". This is the Chinese character "feng" meaning the origin of the original territory. During the Shang Dynasty, the religion of the "feng" was more prominent,and the religion of the "feng" was closely related to the divine nature, which originated in the ceremony. In the process of "sacrifice",the politics of "the feng" are manifested by the needs of the rulers. During the Qin and Han Dynasties, the natural attributes of "feng" have been paid more and more attention. In terms of natural attributes, "feng" and "qi" have a homologous relationship. It is precisely because of this relationship, in the "gasification philosophy" under the influence of the occasion of the Qin and Han dynasties, more "to metaphor". Wei Jin to drop, from the "metaphor" to "to the fable", "feng" of the literature will be highlighted. "People" as the "feng" from the natural phenomenon to the discourse of literature, to achieve the "feng - people - text" meaning the process of generating. "feng"from the Wei and Jin Dynasties began to become an independent aesthetic category, and with other terms combined into a variety of categories, such as "character", "grace", "feng"and so on.The Chinese character "feng" embodies a kind of intuitive thinking in its definition.This way of thinking has the characteristics of characteristic and transcendence. We can find the paradigm of thinking that exists in the consciousness of the ancestors from the aesthetic study of the Chinese word "feng". This paradigm of thinking is reflected in how the ancestors knew the object and showed it as it was.