Ye Mi's Short Story Theory

Ye Mi is a unique female writer in the contemporary Suzhou writers. She not only has a unique creative idea for writing short stories, but also has a clear sense of style. She focused on short story writing and innovation, her creation won the Lu Xun Literature Award and many other domestic awards, but also repeatedly by the Chinese novel list included. Ye Mi's short stories,have very unique ideological and artistic value, the novel style is more unique in the contemporary novelist creation. This paper aims to take Ye Wu's short works as the research object, from the text read out,to overall grasp and systematic analysis of Ye Mi's short stories. This paper tries to study and discuss from the five aspects of short story,aesthetic taste,style construction, narrative art and value meaning:The first chapter mainly analyzes the relationship between Ye Mi 's short story and its creation. Firstly, Ye Mi's life experience and personality have influence on the aesthetic connotation, stylistic construction and narrative strategy of short stories.Secondly, through the analysis of the subject matter and creative means of the novels of Ye Mi, we can see that her works are close to realistic but wording has a modern meaning, thus we can say that she is a writer who concers about the reality and has a modernist spirit.The second chapter mainly analyzes the aesthetic connotation of Ye Mi's short story. Through the elaboration of the three emotional patterns of his novels: abnormal love, poetic love and miserable love, we can see that Ye Mi is good at grasping the novel's inner emotional flow to carry out creation; Ye Mi's writing is close to life. Her work often takes trivial daily life as an entrance to cut into the mouth, concerning about the modern peep psychology and survival dilemma, diging out the essence of life behind the core; In addition, the concern of people caused by the depth of human understanding of Ye Mi, her works strongly show the impact of human desire alienation, at the same time ,Ye Mi imagines "flower dock - white chrysanthemum Bay" space, by criticizing the variation of modern human nature, shaping the ideal people, to show the reconstruction of human spiritual home literary pursuit.The third chapter mainly discusses the stylistic construction of Ye Mi's short stories. By using the method of text reading and combining with the theory of short stories, it is believed that most of the essays are used to construct the story in the fragment of life. The organization of the novel plot focuses on cleverly setting clues and White art to expand the narrative space of the text; The narrative of the novel is derived from the end of the implicit, uncertain and skilled use of the blocking technique.The fourth chapter mainly analyzes the narrative art of Ye Mi's short stories. On the structure, Ye Mi's short stories mostly use a linear structure, at the same time carry out a variety of attempts of novel structure patterns; In perspective, she chose to tell the story as omniscient and she is very good at flexible conversion of perspective in a noble. In language, Ye Mi often uses daily spoken language, at the same time her word system is simple, humorous and has the irony of the formation of interesting,and elegant, poetic character.The fifth chapter is about the value of Ye Mi's short stories in the literary history.On the previous analysis of the aesthetic connotation?stylistic construction and narrative strategy of Ye Mi's short stories, I affirmed her short writing spirit and believed that she contributed the image of maverick to the contemporary Chinese literature, her creation presents a spiritual pursuit of the rebuilding of human beings.Her realism "small narrative" writing strategy and delicate, tough style forms a revelation of contemporary short stories. Finally, the paper points out the shortcomings of Ye Mi's short novels and dialectically points out the literary history of Ye Mi's short stories.