Research On The Form Of Art Activities In The Puppet Manchuria

In 1932,under the planning of the Japanese invaders,the puppet regime of the "Manchukuo" was put together.Japanese imperialists in the northeast of China’s aggression in the fourteen years,at all levels of material spirit to destroy the people of northeast China.Art as a tool for the culture of prostitution,an important means of art activities active in the northeast region,is an important step in the construction of Puppet Manchu culture and colonial system.The paper begins with the tenth anniversary of the "founding of the founding of the country" and the Pacific War as the historical background,and chooses the "Holy War Art Exhibition".Because in 1942,many of the current bureau art activities,"Holy War Art Exhibition" the size and impact of the largest.On the basis of existing information,to further collect and analyze the period of "Manchukuo" newspapers,books and historical archives and other historical materials.In the "Holy War Art Exhibition",the artist’s style by the wartime system constraints,creative themes and content is limited,so that the artist’s artistic style has also been affected.By studying the origin and system of the exhibition,the author analyzes the types of the works of the exhibition,and can reveal the colonial cultural characteristics of the "Manchukuo" country from the perspective of art.Exposing the art of "Manchukuo" in the loss of artistic freedom under the premise of the Japanese imperialist colonial policy under the implementation of the essence of fascist art tools.