| The Tibetan nationality is a nation with a long history and ancient culture.It is distinguished for its diligence and courage,gritty,hospitality,expansiveness and extravagance.At this high altitude natural condition and cold climate,they used their wisdom to accumulate millions of productions and life experience which can adapt to this specific natural environment.In addition,they created and developed their own national rich material culture and colorful spiritual culture.Their chanson “ Le” is concentrated portrayal of their productive labor,generational habits,religious beliefs,and aesthetics.What’s more,it also the important way that people interact with each other.This paper widely circulated in the Tibetan folk original form of “Le’’ as the research object,exploring the development trend of this art form and paying attention to the inheritance and development that is integrating “Le’’ with multicultural modern society.Whether it is festive season,or harvest festival;whether it is home to rest,or field work,are inseparable from its accompanying.The thesis consists of three chapters and a conclusion.The first chapter describes the history and development track of “Le’’ and its dissemination and form in different cultural context and in the rich cultural connotation.Regarding the original song as a stuff,supporting from contemporary aesthetic culture and the theory of musical aesthetics and summarizing its aesthetic symbols to study the unique style of the various factors that establish the “Le”.Trying to provide some theoretical help for the further creation.The second chapter,the performance of Tibetan original “Le’’ from simple to complex,from single to multiple,having a deeply influence on the development of human art.The “Le” of An Duo area has many song and a wide variety,and also has profound cultural background and academic research value.With the deeply comparison of the study from the scales and modes,core column,Melody Characteristics,aria and the word,rhythm and melody.Then they summarized some artistic features and charm about “Le”.At the same time,these things show many precious fortune about the An Duo Tibetan original song which is named “Le”.Besides,the intervention of civil,modernity,positive emotion,relaxed entertainment and visual culture is the feature of “Le”.“Le” as one of the Tibetan national minority folk oral form is the crystallization of the wisdom of Tibetan seeking spiritual satisfaction.And it is very famous in the majority of people.Besides the special things about the “Le”,the lyrics and music are all need folk artists remember by heart and pass on by mouth,then through the singing to carry it to the younger generation.The tune generally no change;the song always no accompaniment.The lyrics often change and improvisational organized by singers,and frequently use new words to sing old tune,mainly including pastoral,drinking song etc.And something close to our daily life,such as praise of mountains and rivers as well as production and labor to others,things of life,and people love and hate delicate emotions,distinctive character,profound ideas and so on.Meanwhile,a brief review of An Duo regional “Le” type and art forms.The third chapter is the most important part in this article,this article mainly adopts Le analysis,interview,survey and other research methods,combined with history and folklore theory,analyzing the art form objectively and reasonably from the surface to inner layer,showing the Tibetan culture.As we all know,folk music is not a pure form of art in the sense of music,many Chinese and foreign musicians have a brilliant exposition of this.Hungarian musician Kodaly said : “the inheritance of national tradition,only from our folk music can be found.”That is to say,as the culture of folk music is not only the inheritance and development of the value and its disciplinary nature determines that it is not only a kind of music phenomenon,but has powerful vitality and wide spread value that is one of the elements of a representative form of art of traditional Tibetan culture.And it has been consistent with the advance of the times the direction,showing with regional characteristics and fresh feelings.With the transformation of the changes of the times and the society,rich material to spiritual and cultural diversity,making people’s life and ideas have undergone tremendous changes.Especially the culture also go through transition.As a form of earth-neared art,society and its own aesthetic and the role are showing the different beauty of “Le”.As the culture of folk music is the inheritance and development of the value,and it reflect the inevitable contact with various regions or ethnic groups in all times and many things.Summarize of discussion of “Le’’,calling the whole society get into the it from the inheritance,value and popularization.Starting with the analysis of the reality of situation and how to protect and inherit this big fortune.“The nation is the world”.The traditional music spread mouth to mouth within groups.Music dissemination activities in radio,TV and mobile phone and other modern media under the action because out of the limits of time and space.With the constant change of culture,the connotation and function of “Le” culture and art have changed rapidly with the pace of time.For now,as far as I am concerned,we need to make the Tibetan real life as a basic and make the Chinese national culture as a background.Using all the things to select the essence,abandon its dross and make “Le” become more and more suitable for this new era and make it more timeless and regenerate new appearance. |