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Lu Qian Opera Research

Posted on:2017-08-26Degree:MasterType:Thesis
Country:ChinaCandidate:Z Y ShenFull Text:PDF
GTID:2355330491456838Subject:Drama
Abstract/Summary:PDF Full Text Request
Nanjing Lu Qian (1905-1951) is a modern cultural celebrities, in his short life, in political, learn two world, literary creation, academic research, cultural diffusion, and many other areas have done, especially in words to learn an important part in the transmission spectrum. This article focused on Lu Qian as drama writers and literary theorist, puts it in the first half of the 20th century in the changes of the social and cultural ideological trend, combined with his personal cultural ecology, from his life thoughts, literary theory, traditional opera creation three aspects analysis and exploration, trying to find out the organic connection between the three.This paper consists of seven parts. Lu Qian the introduction part, the judgement of literary history, academic history status, introduces the status quo, the academic study of Lu Qian combing thinking of writing this article. The first chapter discusses Lu Qian life of thought. In the transforming event in his life and the historical events that have an impact on his life's trajectory for the node, its life is divided into four stages, capture the idea of rheological trajectory, search gets its social cultural thoughts on May influence its creation and academic research institute. The second chapter discuss Lu Qian theory of literature and art. One is pay attention to its and then learn the cultural conservatism ideological trend are led by the relationship, the second is attention to the differences before and after his literary proposition. The third chapter studies Lu Qian sanqu drama Drink the Five kinds of Rainbow. In version, on the basis of comparison and skill roots, combined with the social background and the author's experiences growing up, that he chose this group of subjects, shortsighted group, embodied the concept of culture and aesthetic thought, comment on gain and loss. The fourth chapter studies Lu Qian though drama in reference, on the basis of predecessors' research results, has seen description of Female Disappointed Cuan three plays, one supplement "in hand". To clarify the Female Disappointed Cuan and Four Zen Day the two characterized the relationship between the episodes. The creation of a concrete analysis of each play time, ability to source, ideological connotation and artistic achievement. The fifth chapter studies the ChuFengLie saga. Key to correct previous writing time, subject to its origin, connotation of miscalculation. In skill, on the basis of comparison and version analysis, combined with the background analysis of its theme meaning, evaluate its artistic originality and creative achievement. Conclusion part of the river beam to bid, Peacock the two styles with Chinese opera has other script for a simple test theory.
Keywords/Search Tags:Lu Qian, five dramas of Yinghong, dramas of melancholy women, throw into the river, Chufeng martyr
PDF Full Text Request
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