Present With The Individual

As a print this traditional arts practitioners of learning,I personally feel a kind of anxiety and uncertainty,for it is a more urgent need to deal with “modern”,the relationship between Chinese and western art category,and my own at a crossroads between Chinese and western ancient and modern mixed-our the big time.It made me realize that make some problems,such as engraving in today why continue? Under the impact of the western ideology,as practitioners of traditional art,what should we do? Whether there is a appropriate methodology,let us in the art to swim? This article tries to from the development of the methodology of art history and art to find the answer to that question.Therefore,at the beginning of the article,I try to show the situation,we are facing as a creative group as well as the historical reasons for the formation of the status quo and behind the inner depth of.Then,I will set out a return to daily and individual creative methodology,and explore its characteristics and significance.In the end,I will combine the above two,to share their creative thinking,also as the main points of the independent creation,a case to interpret and supplement.