On The Aesthetic Characteristics Of "Tao"

Lao Tzu in the "Moral" in the first chapter of the "Tao" has a basic philosophy states: "Tao to Tao,very Tao;name can name,is no name,the beginning of heaven and earth;yes,the name of all things.No mother Guchang,trying to watch his wonderful;often,trying to watch his two go around this,but with a different name,with that of the mysterious occult,Chung Miao door " in this provision,"...yes or no" related to the presence of "Tao";" non-Tao " and " non-name " related to the speech channel;" view " in relation to channel thought;" mysterious " in relation to games.By doing so,Lao Tzu marked the path and the existence of the relationship,the relationship between language and the relationship between "Tao”,“Tao" and thought,and games.It is in this fourfold relationship,"Tao" will reveal itself as its own and made manifest.According to this article,unlike the conventional academic research category type for the "Tao" as abstract philosophical aesthetics,and from the emotional aesthetic form,the aesthetic point of view the relationship between the aesthetic characteristics of "Tao" make monograph.This paper argues that the "Tao" has four aesthetic features: On the "Tao" with the existence of the relationship,"Tao" is a natural,and therefore dull life,inaction mode,there are all in harmony symbolizes eternal Avenue,resulting in daily Things Avenue evoke life,witnessed "Tao" deposit intimacy,thereby metaphysical and metaphysical poetry camel combined;in the relationship between "Tao" and language,"Tao" reflects the actual situation whether the dialectical unity of infinite generate characteristic movement there is a philosophical wisdom reproduces the image itself;in the relationship between road and thought,"Tao" reflects the universe-life one thought consciousness,concern for life,exploration of the universe admiration and confusion,both deep into the life of the mysteries of the body and the universe,but also to maximize the expansion of the human imagination,and imagination to produce aesthetic links,thus the most natural manifestation of the aesthetic attributes "Tao";"Tao" and in the relationship game,literary and artistic works in the scenes,Heaven is the harmony between man and nature,is a natural avenue,embodied row Boulevard,is the Heaven,the perfect unity of humanity and authentic,poetic landscape,impressionistic painting most typically reflects the "road" of this feature."Tao" is the Chinese aesthetic form of identification(ID).It is that,with respect to the Chinese aesthetic form,the "Tao" by unifying metaphysical nature and present in a variety of microscopic holographic aesthetic category,among the literary and artistic works,which has a spare million of Industry,ubiquitous characteristics;withrespect to the West aesthetic form,the "Tao" beyond the emotional and rational opposition."Tao" is the identification(ID)of Chinese aesthetic form.It is that,with respect to the Chinese aesthetic form,,the "Tao" by unifying metaphysical nature and present in a variety of microscopic holographic aesthetic category,among the literary and artistic works,which has a spare million of industry,ubiquitous characteristics;with respect to the West aesthetic form,the "Tao" beyond the emotional and rational opposition.