The Aesthetic Exploration Of Classical Dance

Like classical literature must have the aid of classical vocabulary representation, classical painting must have the aid of classical art show, classical dance must also be with the classical beauty of body language to reflect their own; and all of the classical arts must obey the universal principles of classical aesthetics. As a master of classical aesthetics into, Hegel’s "beauty is the concept of emotional show" can be said to be the classical aesthetic principles concise summary. The whole thesis will from Hegel the aesthetic judgment of based on the eastern and Western classical aesthetics, along the aesthetics of aesthetics and Body Aesthetics- Dance- dance body linguistics theory, with reference to the present more mature development of the classical dance facts, as mainstream dance of classical dance make a philosophy of care under the aesthetic exploration, hoping to provide some aesthetic thinking and practice reference for the construction and development of the "Chinese classical dance".The paper is divided into three parts, the first part from the classical aesthetics of the premise, as the aesthetic object and the classical dance should follow the principle of aesthetics theory expounded, and in the western classical aesthetics of "object consistency and category differences" argument; the second part is based on the perspective of body aesthetics and Dance Aesthetics, explore the cultural memory and the formation process of aesthetic Abstract classical dance body, will be the first in concept but the real reality into which classical dance culture and aesthetic style; the third part return to the ontological study of dance, explains the structure and program of classical dance from the dance body linguistics point of view, this matter is the idea in the perceptual manifestation of the process. The three part from inside to outside support the aesthetics of classical dance of ten common principles, when these principles reflected in the world of classical dance works, from outside to inside for the construction and development of Chinese classical dance proposed thinking-- the so-called "stones from other hills may attack the jade".