An Analysis Of The Historical Significance Of Cross-Strait Theme Dance Creation

1949 years cross-strait confrontation period officially started, as well as cross-strait modern history mainland residents to Taiwan for large-scale immigration, although the two sides are not in contact with, but Taiwan veterans homesickness and cut the nostalgia always indelible, creating a more Taiwan contemporary immigration multicultural formation, combined with the province(native Taiwanese and aborigines) and the mainlanders(immigrants) by different geographical customs, religious belief and cultural, heritage, and veterans' village is the most represent the products of their history. Taiwan and the mainland isolation after 38 years, in 1987 under the efforts of Taiwan veterans on both sides of the Taiwan Straits officially open to visit relatives, but also because of their persistence and on both sides of the historical draw heavily on a pen, they finally fulfill a wish to return to the long absence, the hometown. Currently in the known literature: "Shandong steamed bread", "veterans in Taiwan", the one green ", film and television works:" homeward "," green "," face primer ", stage drama:" treasure island "of a village," shuttle ", the freshwater town" creation of this subject is widely and retention in the dance field is rare, so we want to try to dance art means and methods, keep this a worthy collection of history and culture, not in the loss of time disappear disappear, spread out. Works with real historical events as the background, combined with the true story of drama script adaptation, about from ballet "them" creative practice, to Taiwan veteran of nostalgia for the spindle through the head and tail, portraying typical of the era of the characters, depicts in the swing era "their" love, hate, love, hatred.