Lin Zhengsheng's Director Style Study

Lin Cheng-sheng is one of the most famous directors of the Taiwan new wave in ninety. In its thirty years of film career, he put his own daily experience and historical memory performance in the film, showing his concern and care for the underlying people. Internationally acclaimed the film of Lin Cheng-sheng in this beyond the native of the humanitarian spirit. Lin Cheng-sheng video work in space for the main scene Taipei city space, by objective and calm long shot, show the deepening of urban modernization of society, in the process of transformation from traditional society to modern society, industry and agriculture of collide with each other, urban and rural integration and contrast, between people as well as the relationship between people and city. Through the unique image style, convey of the director observation and thinking of reality. This paper will be based on a close reading of the text, combined with evaluation of Lin Cheng-sheng movie ontology, cultural geography, space, aesthetic theory, objective system of video works, to analyze the image style. In order to flourish in the Chinese film, especially in the Taiwan film needs to be revived under the circumstances, to provide valuable reference for Chinese directors.This paper is divided into the following four parts:The first chapter in accordance with the time line, carding Lin Cheng-sheng film and television creative process. Based on the background of the development of Chinese films in the ninety, this chapter discusses the relationship between the creation film of Lin Cheng-sheng and the whole industrial environment of Taiwan. Lin Cheng-sheng video works include documentaries and drama. Documentary film contains the fiction of the feature film. The story is full of documentary, with significant cross-class image features. From the different periods of creation, in combination with the era background of the creation, history and culture context, economic production conditions and other reality conditions and ideology, and other external factors in the process of the objective analysis of the image.The second chapter on the theory of cultural geography and space, summing up the location of Lin Cheng-sheng space choice mainly for urban space, summarizes the features of space. And find out the solidification in the physical space of the characteristics of social space, mental space and physical space and social space, as reflected in the characters from the scene of the characteristics of the material in space. In the narrow physical space, social space and lack of isolated closed depressive space psychological perspective, under the background of globalization, Lin Cheng-sheng tried to through the choice of space scene, convey the world outlook, the outlook on life and values.The third chapter, from the perspective of movie this theory combined with the geological characteristics of Taiwan culture and city spirit, The aesthetic style of Lin Cheng-sheng's image works. Embodied in the use of long take under the actions of sound over the same period of the documentary aesthetic style. Will be represented by Lin Cheng-sheng long-lens aesthetic and Hou Hsiao-hsien long-lens aesthetic style in the movement of Taiwan new movie analogy analysis. Voice and image processing in the way of flexible, summarizes his personalized image characteristics.The fourth chapter focuses on the reasons for the formation of Lin Cheng-sheng image style. With three angles, family background and educational experience from the growth of Lin Cheng-sheng, as well as to the Italian new realism and traditions of Yasujiro Otsu film, this chapter analyses the formation of Lin Cheng-sheng image style in a full range of multi angle. The conclusion part of the comprehensive system of evaluation of Lin Cheng-sheng, and pointed out its shortcomings in the art and the urgent need to solve the problem. Lin Cheng-sheng has to take efforts to investigate the balance between tradition and modernity, with the edge of the mainstream, local and global, commercial art and others. Give us a new way to rethinking the relationship between human and human, human and society in the context of Globalization. Analysis the film of Lin Cheng-sheng and television works to Chinese film, especially the Taiwan film creation of the enlightenment significance.