Study On Tanbi Consumption And Postmodern Subject

Tanbi Consumption refers to the discourse and culture for the emotional relationship and sexual intercourse of gay guys,which,however,has become a pattern of consumption that young females are fond of.As Kuhn mentioned,the replacement of old and new paradigm often found in the old paradigm of the lack of explanatory power and"abnormal".There are three "abnormalities" in Tanbi Consumption and its relevant researches before.To begin with,it is difficult to explain why young females,from the empirical paradigm,regard the romance and even sexual videos of gays as a way of aesthetic and entertaining;S ondly,researches before mostly started from the standpoint of feminism and empirical paradigm,which can only reveal young women’s "defence" of self-rationalization in Tanbi Consumption,rather than the judgement of the social significance of Tanbi consumption itself;The third is the lack of awareness of the question of the relationship between the Tanbi consumption and the self-consciousness of the GAY community,which also explains the limitations of the empirical paradigm and ignores the significance of the Tanbi discourse to the GAY community.Thus,based on the purpose of realizing gender consciousness and theoretical consciousness,this paper introduces the phenomenological research method,combining Paul Ricoeur’s"philosophical hermeneutics" with the empirical tradition,and analyzing how the Tanbi consumption of the community from one group of social imagination into another group of cultural norms of social processes,and with the help of "commodity fetishism" as a critical weapons,this paper reveals the consumption of the times connotation-the image of the industry’s fetish.And it is the characteristic of pursuing capitals of image industry,that is,the absolute power of capital and the continuous production of the image of the discourse,which only led to the cultural changes and homogenization of the whole society,aesthetic and vulgarization of the deep deconstruction,which also constructs the relationship between the rotten girls group and the GAY group.And in order to resist the characteristic of pursuing capitals of image industry and the domination of aesthetic activities from capital,This paper also discusses and explores the meaning and practice of the three important self-cultivation criteria of judgment,publicity and tolerance,this provides a theoretical tool and analytical framework for the reflection of postmodern subject consciousness and reconstruction.