Research On Traditional Cultural Elements An Audiovisual Style In Taiwan Film And Television Animation

With the development of network technology,film and television animation has become an important medium for cultural communication.The animated features of each country or region begin with its humanistic environment and historical background.Different origins have created the animated art of different regions.Relying on local ethnic culture,it forms a unique animation art style.Film and television animation is an important part of a country’s cultural industry.Artists and animators on both sides of the strait have experienced different fates,and they have inherited the same fate from the same source to the end.Taiwan film and television animations condense Chinese feelings and tenacious spirits.Only by digging deep into traditional cultural elements and combining fresh elements with secondary processing,can we create both Chinese cultural feelings and possess The local animation works of innovative ideas can also reflect the unique audio-visual style of film and television animation,and fully display the cultural characteristics of the Chinese national spirit.From the past experience of the animation industry in Taiwan,we can see that the Taiwan animation industry once had brilliant achievements in the production of OEM products.However,in the direction of self-control,it has been affected by the OEM culture and it has encountered many difficulties.If the foundry culture that has been formed for a long time can be transformed,Taiwan’s animation industry will hopefully create a new situation.This article will discuss the Chinese traditional cultural elements embodied in Taiwan’s regional cultural conventions and animation animation works as well as its unique national audio-visual style.The paper is divided into six chapters.The first chapter is an introduction,through the analysis of research methods,the content of the article.The purpose and significance of this research topic and the current status of relevant research at home and abroad are explained and the research methods are presented.The second chapter discusses the development and current situation of Taiwan’s animation industry,discusses Taiwan’s animation industry’s developmentdifficulties and the changes it needs,and hopes that this research will create a cultural environment conducive to the development of animation and contribute to its sustained development in Taiwan.Policy formulation has a reference value.The third chapter elaborates the manifestation of traditional aesthetic style in Taiwan’s film and television animation,the deep cultural connotation contained in traditional culture,takes local cultural characteristics as the foundation,and uses Chinese traditional aesthetics as a reference to analyze the combination of traditional elements and art in Taiwan’s film and television animation.Animation has great significance in aesthetic style.The fourth chapter analyzes the audio-visual style of Taiwan film and television animation,and analyzes the audio-visual communication of Taiwan native culture and traditional cultural elements.Chapter 5 analyzes the use of audio-visual language in Taiwan’s film and television animation "Magic Auntie",and analyzes the traditional Chinese cultural thoughts expressed in Taiwan’s film and television animation from the combination of visual elements and story cultural themes,narrative structure,and auditory elements.In the concluding part of the thesis,it is pointed out that the development of Taiwan animation must rely on national spirit and cultural connotation,and the traditional culture should be effectively disseminated through the medium of animation.This has important inspiration for Taiwan animation creators to explore the path of animation innovation in the future.