Talking About The Spiritual Expression Of The Early Art Of The Italian Renaissance From The Giotto "Mourning The Christ"

To explore the expression and significance of the spirit of early Renaissance painting.The early Renaissance painting restored the law of the ancient Greek painting regulation,created the painting of the harmonious unity of the picture,and set up the harmonious and unified order of the things in the original reality in accordance with the law,in order to realize the intention of expressing the spiritual thought by the religious image.Religion brought about solemn,solemn and other emotional will become simple,as painting creative attitude and spiritual needs of the part.Painting art development To date,the concept of the school of thought,especially in the contemporary more new situation to stimulate our senses,how to give their own creation to find a foothold,obviously become particularly important.To expound the spirit expression of the early Renaissance painting with the Clue of "Mourning Christ",to excavate the essential law of the beauty of painting art from the position of the origin of painting,and to establish a good idea of painting art has a reference value.The paper talks about the key characters from Giotto and his representative work,"Mourning Christ".First of all,the Giotto individual's time background and the humanities environment as well as the painting artistic achievement reorganization,secondly,it reveals the clue of the early New thought of the Italian Renaissance,and once again analyzes the new artistic spirit and art form produced by the combination of humanism theory and new religious thought,which contains rational,lofty and sacred spiritual connotations.Finally,the article sums up the spirit expression and the drawing form language value and the article conclusion of the early Italian Renaissance painting.This paper analyzes the relationship between religion and the Renaissance,the early painting does not completely abandon the religious thought,but put aside the religious thought of the people imprisoned to explore the rational view of Christianity,as an integral part of the humanistic whole,to avoid the narrative of this period of painting generalities,From the point of view of the combination of the two,it explores the spiritual expression of pious reverence and rigorous rationality.This paper mainly collects and identify and organize the literature,and through the study of the literature to form a rational knowledge of the facts,supplemented by the investigation of the objective,systematic and systematic collection of relevant research objects of the actual situation and the approximate painting means to record the literature and try to make some related materials such as Tempe,mural effect texture,To master certain perceptual knowledge by practice,the combination of theory and practice is biased in the avoidance of discussion in large extent.