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A New Discussion On The Form Language Of Chinese Painting

Posted on:2019-07-12Degree:MasterType:Thesis
Country:ChinaCandidate:W WangFull Text:PDF
GTID:2335330545976762Subject:Art
Abstract/Summary:PDF Full Text Request
From the middle of the last century to the present,Wu Guanzhong China in modern art history is a very important person,whether it is the concept of the transferee or the skill test,as well as the concept of inheritance behind the East and West,show a completely different from the traditional Chinese painting or the complete reunification of the western painting characteristics of attack.This paper is divided into three chapters.The first chapter traces the causes in Wu artistic career style evolution and the summary,Wu Guanzhong from the early to study after the founding of the ink painting creation theme,form and concept of creation,the soil has obvious features of narrative works of Mr.Wu content and changes in ink are introduced,the method of painting his deep concern the "modernization" of innovation,this is the starting point and basis of my later creation.The second chapter will focus on the creation of "Yi" in the middle of graduation,the hometown complex in the works of Wu Guanzhong provoked the demolition of a large area to write for the hometown recall as a source of creative ideas,discusses the factors of selection echoing Mr.Wu painting the content in the form of breakthrough in this series works from the two aspects of the external factors and the connotation of the performance,and reflect on these learn from Mr.Wu art experience in the actual operation of the pros and cons.The third chapter mainly expounds the summary and reflection of the graduation creation,and the conception of the innovation of the future Chinese painting.
Keywords/Search Tags:Wu Guanzhong, Formal language, Expression connotation, Innovation
PDF Full Text Request
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