The Influence Of Nicolai Ivanovich Fechin’s Sketch On The Modeling Part Of Modern Fine Brushwork Figure Painting

Chinese figure painting has experienced the evolution and development of pre-Qin,Jin and Tang dynasties,Song and Yuan dynasties and Ming and Qing dynasties,and after the transformation of new cultural trend of thought in 20 th century,the suffering of the nation and the baptism of the new era,it has experienced the beginning,development,peak and low point.Breakthrough and other long historical process,make meticulous figure painting great changes,opened a new situation,to the art category brought vitality.But at the same time,there will also appear some doubts and arguments,prominent for the similar portrayal of meticulous figure painting too "sketch",one-sided emphasis on "realistic".By 20 th century,in the 1930 s and 40 s,some of the early worship of Western painting,the main.The painters of Zhang’s artistic revolution have changed their understanding of meticulous figure painting and fully affirmed the value of traditional Chinese painting.Therefore,this kind of suspicion and controversy is not negative.It at least proves that Chinese painting has an irreplaceable characteristic of Western painting,and the aesthetic process of Chinese painting towards modern times should not be lost at the expense of this characteristic.This study is based on the analysis of the present situation.It is believed that the reference to other nationalities and paintings should not be swallowed alive,but should conform to the traditional aesthetics,otherwise it is easy to go to the extreme,which will not only reflect the advantages of Chinese painting,but also make the picture dull and rigid.Therefore,this paper will start with the pixel of Feixin Shaw.The linguistic features,similarities and differences,and influence of modern meticulous figure painting are analyzed and summarized,and the influence of Fei Xin’s portrait sketch on the modeling part of modern meticulous figure painting is analyzed and summarized.