Pan Yuliang's Self-portrait Study

In the early 20th century China,the influx of western culture and art,affects the Chinese art scene,collision between east and west culture,promote Chinese artists begin to pay close attention to itself,the changes of cultural situation especially for the female painter opens the door of ideological liberation.As the first new female painter in China,pan yuliang is also worthy of in-depth study of her.Second,as a female painter group during the period of the Republic of China,she is a typical characters,the starting point of she almost illiterate,and artistic attainments formation contrast in the future,for the art alone,keep the independence,and that during the period of the Republic of China that flash in the pan,compared to women artists are also worthy of our respect for it.In the case of pan yuliang's art,she loved self-portraits and the creation of female subjects in her life,which were very strange among the female artists at that time and even now.She is a typical character of this special period,and pan yuliang is a typical case of the change of this era,which has the value of research.By way of case study,this article embarks from the painting ontology,on one of the most distinctive self-portraits key research subjects,through the horizontal and vertical contrast and analyze,interpret its for the evolution of the gender consciousness of internal development,as well as the special consciousness implied in the specific social and cultural causes behind it.Full text expounds mainly from the four chapters:the first chapter the female artists during the period of the Republic of China era background,describes the development of female painter group during the period of the Republic of China,as well as yu-liang pan in the period of the Republic of China female painter group of particularity.The second chapter,with the focus from yu-liang pan self-portrait novels through and female painter's self-portrait of the Republic of China,and at the same time Mexico female artists in da carlo self-portrait contrast research subject,discusses yu-liang pan self-portrait consciously formation and development,construction analysis portrait painter heart behind.The third chapter mainly elaborates yu-liang pan portrait art,through combing by roughly self-portrait and the evolution of the artistic style,thus ability for objective study of its art value and status in history,as well as the contrast in the 1970 s after the development of female art and the present situation,analyzes the development bottleneck of the facing female art paper yu-liang pan and the art of modern women women during the period of the Republic of China to the development of the enlightenment.