The Research On Yu Hua’s Concept Of Novel Creation

As a famous novelist,YuHua embraces the conspicuous novelistic creation and affluent harvest,except for the deficiency of his creation.Filling with blood and violence,YuHua’s earlier works displayed a brutal and gloomy word.His literary practices after 90’s gradually outpoured the sense of pity and compassion,the works hence flowed into the warmhearted narratives.YuHua’s works,maintaining a high theoretical consciousness no matter when,was reacted delightedly by those critics.Moreover,the peculiarly unique concept of creation subverted the traditional standards and scales and therefore intrigued the literature and art circles profoundly.Starting with studying his concept of novel creation,this paper reviews YuHua’s methods on unmasking the relationship between literature and the empirical world.Besides,analyzing his narrative art and studying the concept of creation,this paper explores his deep significance to contemporary literature as well.There are four chapters in this paper.The formation of YuHua’s concept of novels and his creation concept system are expounded in the first chapter.YuHua’s creation was strongly influenced by western writers.Edifying by masters like Kawabata Yasunari,he shaped his own systemic creation concept,the core of which is literary authenticity.Taking the form exploration as an importance,YuHua restructured a authentic literary world with abundant imaginations and repetitious narrations,and form the rebellion to the rational and experiential objects.In the second and the third chapter,the paper specifically introduce his unflinchingness on the format of literary reality and hypocrisy,his perusing on the aesthetic effects with repetitive narration s which would be akin to musician style and his attention paying on imaginations.YuHua possessed the extremely strong theoretical consciousness.His works overthrown the daily experiences and the stories and characters all rebelled the traditional regulation,with that he attempted to seeking literary authentic.His novels deliberately borrowed the method of repetitive narration from music and simultaneously expressed the sense of physical world with the imaginations.The fourth character,based on those three previous,expound the meaning of YuHua’s creation concept.His swerve reflected the survival situation of Avant-garde literature in this new age.Retrospecting the journey of his creation concepts,we also can observe the subminiature history which comprehended the rise and fall of Avant-garde literature.His adroit application of narrative form vibrated the novelistic theory which crack the content up.His perception of narrative language overcame the imitation omniscient perspective,and enriched the narrative language in literary theory of contemporary novels.