A Study On The Suona Music Of Dong Nationality In Guizhou Congjiang

In this paper,the "Dong Suona music of Congjiang" is studied as the object.This music item is studied in a specific cultural background by field study,combined with ethnomusicology,musical morphology,cultural anthropology and other disciplines theory of the method.It is based on the investigation of its form structure,deductive way,musical form and so on.It is aimed at thinking about how the instrument development of the Suona evolved into the situation of the multi-sound music structure we have seen before.Its relationship with the Dong multi-sound music culture is considered and the cultural value of the Dong multi-sound Suona is also explained.In addition to the "Introduction" and "Conclusion",the text is divided into six chapters.The introduction mainly explains the reason and significance of the topic selection,And the present situation of research on Dong suona and its related music at home and abroad is combed,as well as the research methods used in the subject,the materials and the origin of the field work.The first chapter mainly summarizes the geography environment and social environment of the Suona from the Congjiang.The second chapter elaborates the music types of the multi-sound structure of cong Jiang Dong nationality,including multi-sound structure vocal music and multi-sound structure instrument music,in which the Suona situation of multi-sound structure is elaborated,including its exotic,ritual,multi-sound structure and the evolution of national style and so on.The third chapter mainly describes the structure of the Suona from the Congjiangand the relationship between the Suona in the funeral music class and other musical instruments and how to cooperate and perform.The fourth chapter analyzes the morphological characteristics of the Suona music of the Dong nationality in Congjiang from the academic theory of music genre and so on,including the analysis of the musical form of the foreign Suona tunes from the Dong nationality and the form analysis of the Dong nationality suona tones,mainly from the tone,The structure of the music and the characteristics of the spin,the beat of the rhythm,the characteristics of the song and so on are analyzed.In the fifth chapter,based on the research and thinking of the above four chapters,this chapter mainly analyzes the cultural meaning of the Dong nationality in Congjiang Suona,including the cultural reflection of the dialectical relationship between yin and yang in the Suona music of the Dong nationality in Congjiang,the Influence of Dong folk Vocal Music on the Suona’ s Music of Dong Nationality,and the Cultural Significance of Dong Nationality in Suona Music and so on.On the basis of this,we will rethink the concept of "multi-part music" in China,carry on the new cultural recognition to it,think about the inner connection between the Suona and the Dong people’s multi-sound music concept,the symbiotic relationship between the Dong Suona and the Dong song,so as to state the cultural value of the multi-sound structure of the Dong Nationality ’s Suona Music.The sixth chapter mainly explains the opportunities and difficulties faced by the Congjiang Dong Suona,how to seize the opportunity and inherit from the Congjiang Dong Suona music,and how to get rid of the current predicament,thus to offer advice and suggestions.Finally,for the conclusion part,this paper is summarized.In addition,the article mainly has the following innovations.First,in the study of the flooding of the Dong Songs,many people neglected the study of the Dong instrumentalism.The instrumental culture of the Dong nationality was as important as the Dong’s great song,which was an indispensable part of the Dong music culture.His foreign instrument Suona,the study of the Dong Suona will open the window of the study of the Dong multi-instrumentalism system,so that we can more fullyunderstand the Dong music culture.Second,the author studies the Dong instrumental Suona from the Congjiang Dong cultural background and compares the Dong Multimusic culture in the form of music,This describes the Suona this foreign instrument changes in the form and content after it comes into Dong by its cultural influence.Thirdly,the multi-sound music form of Suona is different from the western music system.It has his unique cultural connotation.On this basis,it reflects the concept of multi-part music in China,and the music culture of Dong is gradually moving towards consciousness...