The Tear Of Image

This article is based on the concept of Georges Didi-Huberman’s image tearing,which is the deconstruction of the existing symbolic "rationality" theory.This concept is based on Freud’s psychoanalysis for ideological support.For the tear is a critical thinking.But also a multi-construction approach.This paper begins with the analysis of the external demands of tearing,and the disassembling of the subjective paradigms of the images under the existing image representations.In the image,the reproduction and the symbol are ripped apart by a contradictory relationship,which causes a system of original single meaning and visual experience to appear.This makes the original body forming multi-dimensional limbs,tend to dissolve,and put a single rational split into the cracks.From its internal logical structure to find the problem,tearing the structure need to cut open the concept of the concept of the image and logic.So that the concept of the image into a variety of points,and in the logical concept of diversity.The formation and performance of the image from multiple angles,the artist’s image to find the true feelings form the image,rather than the original framework of the theoretical analysis.While the visual image of the gap in the transparent visible image.The image process and in the way of expression seek a way form the emergence of a hidden material.This transparent and opaque relationship also becomes the delicate relationship in the image.The most central concept that emerges in the concept of tearing is symptom.Symptoms appear as the most concentrated spikes in the image.The relationship between symptoms and symbols has also broken the original relationship between objects and symbols of a single.The relationship between birth and imitation,which extends under the symptom and imitate is very representative because the representation of Christ in classical painting is a large part.In which the artist can see the gap in this system has to be listed separately.Such as Albrecht Durer,Angelico,and other artists in this series cannot be used Panofsky’simage theory for analysis.And in these artists who can and contemporary artists in the form and spirit of the performance to find a lot of fitThe most important part of artistic creation is the butt of the artist and the contemporary artist who are in another clue in the system of classical images.Find the representative psychoanalytic path of the artist.Separate analysis for different artists.From the artist to select the different creative methods and works presented from the outside to the internal interpretation.These artists choose the creative way and performance of the visual image is difference.But for the intrinsic concepts of psychoanalysis and tear discussed in this paper the concept of the dimensions are consistent.Because as the dimension of the artists,the worksareshould not be limited to the unity of the creative style.Through this article find the construction to in the same context of the artist.Find another way to enter the perspective of artistic creation.