Elaborated On The Creation Of The Series Of Landscape Painting In "Graceful Yangtze River"

Since the beginning of the 20 th century,the development of the Chinese traditional literati paintings facing a hugetest.Thecontemporary cultural spirit is rising strength,and a gap has been showing between traditional culture and traditional art forms,directly leading to an embarrassment and confusion situation of traditional Chinese painting in the contemporary cultural environment.As a Chinese landscape painting major student who faced the situation,I would have had a deeper understanding on techniques of painting and traditional culture.Then,finding my own direction by maintaining strong basic skills and combining the contemporary context and current life.After deeply analyzing the whole process and combining paint theories and practice,this paper was completed when the author already has had a deeper understanding of Chinese painting.Inspiring from the landscape of jiangnan area,the author firstly explores the surroundings' influence of her landscape painting from the former conception Angle,and predicts possible problems in writing on the macro vision.Secondly,respectively from the aspects of the layout of the picture,pen and ink techniques to discuss the suitable language form for the topic.Then,analyzing the difficulties and solutions in the process of painting gradually and the author's detailed brainstorm.Again,how to create the artistic conception of screens in ?Graceful Yangtze River?through composition,painting technique and blank will be discussed.Finally,summarizing the whole creation process,and writing down the author's creating experience and insufficiency.This article was a kind of report that recording the painting process and researches,which is a start point of the more valuable discussion on this field.