Form Style Of The Monkey King:Hero Is Back

Starting from the 1990 s,Chinese animation has moved towards depression with a large number of imitated & plagiarized animation films that lack of cultural connotation appeared in the market.In this context,the Monkey King:Hero is Back has become a new milestone in Chinese animation by virtues of the formal beauty in animation character design and national connotation.The monkey king makes “back” possible for Chinese animation.Style design is the foundation and core of animation.No matter how touching an animation is,vivid character modeling and scene modeling are required for each animation.The paper took the Monkey King:Hero is Back as the research object,starting from character and scene separately.Intensive modeling feature analysis regarding the related key factors,such as,proportion,color,space,and composition etc.were carried out.The overall styling characteristic of the Monkey King:Hero is Back was summarized by horizontally comparing it to other works at home and abroad,including the drama character of role model,the national characteristics of the scene modeling,the modernization of traditional modeling and the specific characteristics of the formal beauty.Finally,the further animation modeling desired by Chinese animation creators was obtained.Above all,the modeling should have attitude of “striving for the best”,attention should not only be paid to typical design,but also individualized design.Attention should not only be paid to China national character,but connected to age as well.The pluralism of the design should be focused and social concept of younger age should be changed.It’s possible for Chinese animation to get rid of the stale and bring forth the fresh only by making creation and breakthrough in terms of modeling so as to effectively promote the continuous development of China’s animation industry.