Research On The Traditional Chinese Lacquerware In Spatiality

The subject of this paper is the traditional chinese lacquerware in spatiality.The spatiality in this article,mainly refers to spatiality form the visual sense,that is,positive organization and re-construction of space by one’s visual perception.People perceive everything through the viewing and perceive space through experience.Based on this,this paper attempts to organize and reconstruct the spatiality of Chinese traditional lacquer ware from the perspective of visual and perception,and sum up how the space is occupied and utilized by the exterior decoration,the lacquer fetal bone and the interior space of the traditional Chinese lacquer ware.In this paper,the space of Chinese traditional lacquer ware is expressed as the virtual space of lacquer ware,the real space of lacquer ware,and the practical space of lacquerware.China’s traditional lacquer decoration on behalf of the appearance of the screen space is a virtual space,the decorative nature of the screen can only rely on the visual,with illusory.The virtual space of Chinese traditional lacquer ware is driven by the subjective aesthetic consciousness of the lacquer artists.The natural image is processed and re-created according to the specific structure of the lacquer-ware,.Finally,the lacquer medium is used to create a idealized virtual space.It is a virtual space illusion through visual perception,not real and can not be touched with the physical reality of space,the space occupied by the illusion of space only on the visual effect,it can exist only to rely on light.The lacquer carving of Chinese traditional lacquerware represents the space that is the physical space,the traditional Chinese lacquer ware entity space to occupy the real space through material existence,with the objective existence.Its spatial form is not only visible,but also within touch.Chinese traditional lacquer ware also has practical space for the purpose.To make use of lacquer to meet the function,practical space is essential.Therefore,the exterior decoration,the lacquer fetal bone and interior space of Chinese traditional lacquer ware belong to different spatial systems in space,but we can only distinguish these space systems in relative sense.Just for the traditional Chinese lacquer ware,the space factor is often comprehensive,external decoration of the virtual space is the emotional space is built on the lacquer,ash and other material.The physical space of the lacquer fetal bone is also perceived space,the ancients can be obtained from the natural wood,bamboo,leather,bone,ceramic,metal,stone and other materials supplemented with lacquer and gray material Making the bottom tire according to the needs of life,which constitutes the material entity of the lacquer.Therefore,we can think of lacquerware as a kind of body with a volume of the body,surrounded by the internal space of the block.Although the interior space of the lacquerware is the main carrier of practicality of lacquerware.However,the physical space of the lacquer carcasses can not be viewed as insignificant.The volume of the lacquer fetal bone,in addition to reflect the lacquer ware with the substantive characteristics,the formation of intuitive visual changes in the appearance of lacquerware,but also the formation of internal practicality of the limited space factors.The substantive space of the lacquer carcass and the practical space of the lacquer ware have important relations,they are mutually opposing and mutually unified whole.Therefore,the lacquer ware space is rich and complex spatial existence.