Creation And Research On Animated Personification Of Tang’s Wares

This essay targets on the weakness of display and demonstration of wares by the museums,and emphasizes on museum’s adjustments on enhancement of interestingness of wares’ display,enrichment of demonstration technologies,and advocates the more interesting and friendly animated personification to the six tri-colored glazed pottery of the Tang Dynasty(Tang Sancai)which are originated from the central China and mostly represent the historical Chinese art and culture.By this reform and conversion,and exhibiting the historically treasured wares with the proposed animated personification to the public,we can attract more intellectuals with different ages and arouse their interests to our solemn history and culture,and on the other hand cultivate the new growth pole for the animation industry,change the dull and monotonous display and exhibition methods of museums,and enrich the joy of our museums.This essay first illustrates the research results of animated personification and Tang Sancai;thereafter,it analyzed relevant theories on animated personification,concluded on the advantages of representative works both domestic and abroad in this field;on another,analyzed the historical development,characteristics and categories of Tang Sancai,and studied the important position and aesthetic value.Based on the above,and with application of animated personification,theoretical analysis and case study in concrete practice,and also with interpretation of historical background,ware properties etc.of the six treasured collections and refined key information obtained therein,I conceived on background,material,model,color blending,character implication,and created the animated and personificated characters based on the six waers.And at the very last,the essay summed up the above research and creation,and forecasted the study orientation worthy of further.