A Textual Research On The Image Of The Heacenly God Of The Western Regions

The Heacenly God are widely known in the gods of Buddhism,and one of the gods of Buddhism in the formation of a specific belief in the gods,with the spread of Buddhism to the Western Regions,gradually accepted by the people and worship,and thus developed into a Chinese characteristics The belief system of kings is a powerful illustration of the localization and nationalization of Buddhism after entering China.The development and evolution of its statues also reflects the acceptance of Buddhism and culture in different times and regions.King of the faith has a long history,a wide range of influence,in the study,the need to combine history,religion,art,society and other aspects of a common discussion in order to have a whole understanding of it.This paper mainly analyzes the formation and development of kings' statues and their beliefs in the western region by using the methods of image research,and explores the role of different cultures and ethnic groups in the formation of kings and beliefs.Through the combination of images and literature,And how they break the geographical time,the integration and influence of each other.This article refers to the Western Regions,refers to the territory of Xinjiang,the reason to choose Khotan,Kucha,Gaochang as a representative,not only because of its Buddhist history in the history of Buddhist art position,but because the three places belong to the Western Regions,But because of the impact of historical and cultural and each represents a kings of faith and image development direction.At the same time,the three places as a part of the development of Buddhist cultural exchanges,its historical orientation must not be limited to the geographical scope of the party,and the need for a holistic grasp.Therefore,the first part of this article on the king of the statues and the origins of their beliefs and the circulation of the macro to sort out the second part will be combined with literature,site visits and other basis for the Khotan,Kucha,Gaochang three statues of the remains of the statistic The The third part analyzes the history and cultural situation of the image,and finally sketches the factors and general lines of the kings' belief and statues in the western region.