| It is the Southern and Northern dynasties to the Tang dynasties that has made universally acknowledged achievements.It is the cause of such a shining cultural exchanges.Starting from the Southern and Northern dynasties,foreign music are into the central plains,and large-scale gradually influenced and changed the aesthetic taste of various social strata.Sui and tang dynasties,formed on the basis of the central plains culture,things-north and south“cross cultural communication”,and has laid a solid foundation for the development of innovation.Music art achievements can reaches its peak in tang dynasty,it has experienced three stages,absorption,integration,innovation.Research on absorbing has important academic significance,because it is the basis of the study after two stages.Previous research on this has achieved fruitful results,such Yinliu Yang in China.But there are still need to continue to the topic of discussion,such as foreign music in the central plains of the influence of historical facts and actual research,foreign music absorbed the practice principle and idea of the art research etc.The author attempts to delve into the practice rules and guidance ideas that Chinese accept foreign music on the basis of carefully studying a large number of historical data.Taking history as a mirror,for the new era to deal with the relationship of the domestic and foreign culture of the Chinese nation to provide ideas and methods.Therefore,the incoming of Sui foreign music,the absorption of tang dynasty to foreign music and the concept of“and” practice is important.First this paper examine the situation of foreign music into Chinese northern and southern dynasties to Sui dynasty,and combs foreign music in the music,artists,works and instruments.At the same time,this paper tip of the attitude about various dynasties to foreign music.The following,the author examines the historical facts that Gagaku and the banque musicabsorbed foreign music.The last,the article suggests the practice law and practical attitude about absorbing foreign music on the basis of examining historical facts.The concept of “and”,as the guiding principle of absorbing foreign music,puts foreign music in a pecking order in the order where the essence of the foreign music is absorbed,which has enriched the artistic innovation means and aesthetic temperament and interest,but not conflicts with traditional Chinese culture. |
