The Present Comedy Movies Of Research

In recent years,comedy movies are particularly eye-catching in the Chinese film market,2006 release of the "crazy stone" to 3 million investment to obtain 20 million high box office,A time set off a black humor comedy film boom in the land of China.After the adaptation of the network novel according to the urban love comedy "lovelorn 33 days" accidentally became the box office dark horse,Crazy suck gold of “Lost in Thailand”,Making comedy movies become Chinese film people competing to create the film style.Superficial comedy film humorous,humorous,funny,no fifth-generation director of the lens in the strong sense of history and traditional Chinese symbols,there is no sixth-generation director for the edge of the social fervent attention in the context of mass consumer culture,Comedy film in the creation of the number,type of form,box office revenue,public opinion rally,star join are extremely rapid momentum into the audience's vision,so this article mainly selected the current three types of comedy film sub-type of analysis,And symbolic as the main line,in-depth analysis of contemporary comedy movies.Film as a special form of national consciousness,in the audience about the story at the same time,also convey a certain degree of allegorical and symbolic significance.Allegory generally refers to the surface of the story contains another special meaning,allegory interpretation can often open the film behind the ideology and ideology of theoperating mechanism.Such as secular concern in Feng Xiaogang 's Comedy Movies,mainly based on narrative of game,lines,and presumptuous space.This article mainly chooses the comedy film since the new century as the object of the study,namely Feng Xiaogang New Year comedy film(“The Dream Factory”,“If You Are The One”,“If You Are The One 2”,“Personal Tailor”),Black humor comedy movie(“Crazy Stone”,“Silver Medalist”,“I Am Liu Yuejin”,“ Let The Bullets Fly”,“One Night in Supermarket”),Embarrassed way series movie(“Lost On Journey”,“Lost In Thailand”,“Lost In Hongkong”),This paper analyzes and analyzes the relationship between the artistic characteristics,allegories and the social reality of the representative comedy subgroups of the three Chinese comedy films.The classification of the three most representative subfamilies of Chinese comedy films,To explore the contemporary comedy film narrative,characters,lines,space,how the fables and social reality perfect combination.