Brief Analysis Of The Beauty Of Traditional Landscape Of Wang Meng

The yuan dynasty,economy,culture,art also changed a lot,cause huge impact to the artist's life and thought,especially the han Chinese intellectuals,many of them can't down the road of "can" learn to ambitious,show the birth of reclusion mentality,they or novice meditating,or swim in the mountains,has created a group of artists."Yuan four" is in a unique artistic style in this period,occupy the important status in Chinese art history,on the later painting style.Wang meng,with its thick "pale" and free from vulgarity of "traditional" nailing in the yuan dynasty landscape painting style.As yuan wang meng,one of the four,enjoying high reputation in the field of painting,its art appearance at RMB 4 home is the most diverse,also is the artist's creative performance.After the early Confucianism influence is bigger,the thought of produced in reclusion in wei-jin period and the life of literati in those days,infection,began to resign,he prowled the glides gracefully forests,on landscape,pen and ink,the landscape scenery brilliance,pen cut hair acerbity,ink for pale embellish profound mood,is the picture of the spirit,picture full of the breath of emptiness,quiet.Wang meng landscape of "complexity" thick "pale" beauty,is the traditional and connect by nature,he lived in Huang Heshan thirty years or so,and swim in taihu lake,home area,experience the true features of the mountains and absorb the god of the natural scenery,with the indifferent heart care for nature,silent heart of mountains and rivers and the dust is woven together,with its diverse lost pen and ink to write in deep heart mountain,brilliance and showing the ethereal numerous mountain is the anchorage of the spirit,is the ideal state.Changing because of the lack of literature and the painting style to elaborate painting achievement is very difficult,learning methods,the author in style,the painter's social and cultural background,the painter's life activities and work graphic style,through the shallow analysis of the representative works,and his life experience of the paper roughly understand the basic features of the landscape of the feeling of "thick" pale.By wang meng of the analysis of the "green" bian figure seclusion "introduction to Wang Mengchong complex mountain ridge picture form present performance of jiangnan landscape" boundless embellish show "thick" pale "beauty and the aesthetic characteristics of" numerous "techniques,and so thick" pale "painting style of the source and the influence on later generations.