Cunfa is a large system of visual analogy symbols of Chinese painting.Different schools of Chufa in painting history had its specific effect factors,such as historical background,cultural ecology,geographical environment and geological characteristics,which are crucial for the originality of works of ancient painters.The objective of this work is to explore the root of performance distinguishes between the Literati painting and the Yuanti painting.It is hard to define the concept of these two painting styles,nevertheless,they had always been in close contact at technique level.Some painters of Yuantai draw Literati paintings,while some Literati painters also have Yuantai style works.Thus,it provides some basis for studying the relation of these two styles from a perspective of Cunfa.At first,Chunfa was only a simple technique.Later on,the Literati painter put some aesthetically appeals on the ontology language of Chunfa,which increased the charm of the Chunfa ink and embodied it with aesthetic value as a visual technique.Aiming to explore the origin and development of Literati painting and Yuanti painting in different times,and to clarify the difference and connection of these two painting.The paper comprises some author’s understanding on the Chunfa and reflection on ancient art theory during the process of traditional techniques learning.The result of this work would hopefully encourage me to further pursuit on Chinese painting study... |