The Image Of Chinese Landscape Painting Should Be Objective

Painting in the Wei and Jin Dynasties,based on the object,that is,physical form.The Wei and Jin Dynasties,the awakening of consciousness from the painter,painting vivid "vivid aesthetic requirements",the "pictographic" the "shape" of the concept from the physical form to a vivid shape,to vivid shape.In the face of the painter when objects are the same,but the painting "spirit" vary,this is caused by the different aesthetic personality and individual.The monk said "no matter to be like the body,shape,meaning that there is no specific image of Buddha,but also can be turned into any image,and into any corresponding body.Although China painting is to "shape"as the main form,but the essence of Chinese painting is vivid and enjoyable.If we say that the "likeness" of painting is a kind of "realistic",then the "realism" of Chinese painting is also aimed at "the real environment is forced and the environment is born".Therefore,both China painting vivid realism painting is realistic and vivid freehand painting.It is self-evident that the importance of the "matter pictographic" in Chinese landscape painting.Sheikh put forward six standards of evaluation of painting in the "ancient paintings." the preface,referred to as "six".In the era of Sheikh,painting is mainly based on portrait.In the China painting history many famous painting philosophy of language,Sheikh "ancient painting record" in the "six" is the ancient painting and interpretation of the most cited title,"Liufa" therefore has become synonymous with the painting China Hongshuo system.This is the "six" one of the "pictographic" tries from "meaning" height to make further explanation,showing China landscape painting as a new spirit.This paper from the dialectical relationship between shape and spirit around the China painting and Chinese in art history,Western painting method and combining form concept and Chinese painting "watching for images",compared to the balance,in order to highlight the Chinese landscape painting "image style" aesthetic,Chinese landscape painting writing object shape.To pass the object of God,the pursuit of vivid,to reflect the artist’s subjective feelings.However Chinese landscape painting was influenced by China’s traditional aesthetic idea and the way to express their feelings,to image and people’s aesthetic perception,heart care as set up relationship between subject and object,in order to reflect the author’s heart and mind,described in the China landscape painting should matter pictographic importance "of the psychological Association in the process of.In the specific part of the image perception,it leads to the specific way of thinking in the heart,causing a variety of reactions,all in a certain range of thinking.Whether it is the understanding of the image,or to shape the image of the language form,are released from the established aesthetic.The difference of image perception is the most important one,which is determined by people’s aesthetic ideas.The artistic image is natural beauty,showing heart bright and wise.Image perception and thinking are closely related,is formed under the guidance of the spiritual orientation,it condenses the world of knowledge and modeling knowledge.