The Research Of Development And Protection Of Ming And Qing Traditional Mural In Zhejiang Province

Zhejiang is one of the birthplaces of Chinese civilization,about in the Neolithic period there are human beings in this thriving.Since ancient times,Zhejiang outstanding people,outstanding talent,has a very superior human environment.In the splendid cultural treasures of Zhejiang Fine Arts,traditional frescoes are one of the most characteristic and rare cultural heritage.Through the study of the traditional murals in Zhejiang Province,the author has found that in many areas of Zhejiang Province,there are many frescoes in the Qing Dynasty,which can be divided into three categories: first,clear On behalf of the Taiping Heavenly Kingdom murals,the existing main Jinhua paternity of the Taiping Heavenly Kingdom murals,as well as the existing Shaoxing City,the Taiping Heavenly Kingdom murals,mainly in the Lu Xun Road,Li Jiatou,book holy hometown to explore the flower door,before the view Lane Ling home,Second,the Qing Dynasty folk opera frescoes,the existing mainly distributed in Jiangshan City,twenty-eight ancient town and Wenzhou Yongjia area;third,the Ming and Qing dynasties ancient murals,the existing mainly in the Zhejiang East,South Zhejiang and central and western Zhejiang ancient village areas.The author summarizes the academic value and application value of the traditional frescoes in Zhejiang Province by elaborating the content and artistic characteristics of the traditional frescoes and the existing traditional frescoes in detail through the field study and the literature research.The origin and effect of the traditional frescoes in Zhejiang is irreplaceable.The author hopes that this article will attract the attention of the government departments,protect and inherit this precious cultural heritage and apply and serve the institutions of higher art Art education,artistic creation and promotion of cultural and creative industries.