In the 1960s,the Chinese flute performance in "the concert hall stage" to show the glory,it is converted from a musical accompaniment to a solo.Now the form of the "concert hall stage" is more and more diversified,and the design connotation is more and more profound.Based on this background,this paper hopes to use its own concert design as an example,to try to explore and imagine the Chinese flute playing stage design.This article attempts to use the metaphysical perspective,from the aesthetic point of view,to analyze the concert design concept,track planning and other aspects of the problem.It is a theoreticall perspective in today's field of research.The following are the concert idea of this paper:The first chapter elaborates the artistic will,the design philosophy and the artistic conception of selecting tracks of this concert "Feng".The second chapter analyzes the multiple mood of the concert from the perspective of "traditional" and"contemporary".The third chapter carries on the personalized interpretation to the music performance in different occasions,different ways of aesthetic,the difference acoustic and stage performance caused by the different cooperation instruments. |