On The Embodiment Of Schumann's Dual Personality During The Process Of Piano Performance

Alexandria.Robert Schumann(Robert Alexander Schumann,1810-1856)is an important German composer,as well as a pianist and critic.The research works of representative and thematic papers: "Robert.Schuhmann" Barbara Maier(people's music publishing house),"Schuhmann" Huang Linhua(Oriental Press),"Lester and Schuhmann" on Berlioz(people's music publishing house),Zhang Hongmo,Zhang Ning and Zhang Hong Island,translation scholars have a study on the works.These works are from the historical aspects of the composer's life,the creative process and the significance of his works to be summarized and summed up,and playing skills,aesthetics and creative technology research.Eusebius and Florestan,both the two key figure,represent the two different sides of his nature in his fantasy Davidsbundlertanze.Schumann described the two figure lively with various musical melody and marked the end of each bagatelle with the letters which stands for the two figure.He unfolded his plentiful dual fancy character through his 18 bagatelles.In this paper,the author sets the analysis in three chapters on the background of the performance annotation of Davidsbundlertanze.The first chapter is a brief introduction of Schumann's life and Davidsbundlertanze creating background;the second chapter emphasizes on the analysis of Davidsbundlertanze of the 18 bagatelles and further interprets the creating techniques as well as the emotional expression,thus grasps this musical work;the last chapter is about the annotation of each piece of Davidsbundlertanze and then view them as a whole.