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A Study Of Contemporary Taiwanese Music Literature

Posted on:2018-02-28Degree:MasterType:Thesis
Country:ChinaCandidate:L L ZhengFull Text:PDF
GTID:2335330515988463Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
As a special way of speaking,music literature reflects the human real life and emotion.It is easy to understand the way,showing a complex historical and cultural content,to convey the deep concern for people.The richness and accessibility of contemporary Taiwanese music literature is derived from this.Looking back to the development of contemporary Taiwanese music literature,it can be found that the origins of contemporary Taiwanese music literature begins Kuomintang in 1949,and many of the lyrics showed the sadness and joy of people in Taiwan.Mandarin pop songs and Taiwanese pop songs are the two most important forms of contemporary Taiwanese music.Because of the vigorous implementation of the language of the Taiwan authorities and the rise of Mandarin pop songs,from the national minor to the campus folk songs,and then to the city pop song three periods.The film's “supporting role”of the embryonic stage,developed into self-created form.In the content,with the development of economy and society,music towards the diversification of development at the same time,there have been consumerization,entertainment tendencies,and gradually was out of the national self-reflection or criticism of politics.And popular with Taiwanese pop songs,a true reflection of social development and change.With the political situation,Minnan's popular songs have experienced the development of twists and turns.The implementation of national policy and the implementation of the policy of martial law have limited the popularity of folk songs in the late 1940 s.From the foreign language song into the word“mixed song”,by Minnan film formation of the theme song,to the solution of the diversification of the new Minnan song development,the extent of its hardship is self-evident.The structure of contemporary Taiwanese music literature is characterized by the segment and the style,and it is characterized by the main body of the main part and the long body of the narrative style.In the structural type,music literature not only in multiple languages into the word,to enhance their own diversity and fun,easy to understand the words,to promote its wide spread,and into the poetry of the image,to a certain extent,add a classic charm.The unique stylistic features of music literature not only vividly convey the theme ofthe song,but also reflect the rich cultural connotation.If the music in the complex cultural phenomenon in series,can be regarded as an epic reflecting the development of Taiwan's society.From the form to the content,from the stylistic features to the cultural characteristics,the development of music literature are all deeply influenced by political,cultural and economic transformation.
Keywords/Search Tags:Taiwan, music literature, stylistic features, cultural characteristics
PDF Full Text Request
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