Analysis And Research On The Performance Of Waldscenen OP.82 By Schumann

Robert Schuman is one of the most representative of composers in the romantic period of 19 th century.As the founder of the romantic piano divertimento,Schumann was known as the "king of the divertimento" who has created a great number of piano divertimento in his whole life.They were reflected in the compers of title?drama? fantasy and romantic literature of relevance and so on,which have had a profound impact on the development of romantic music later.Waldscenen Op.82 is the last piano divertimento of Schumann in his life.The uniqueness and plainness of this work endows it with great charm and certain researchvalue as well as re presentativeness.This thesis is composed of three chapters.In the firstchapter,the creation ba ckground and creation features of Waldscenen are introduced.In the second chapter,music te xt analyses of nine pieces of piano music of Waldscenen are respectively carried out.In the thi rd chapter,based on the author's personal playing experiences of Waldscenen,the author cate gorizes the music styles of nine tracks of Waldscenen and puts forward prompts of important points according to different music images.Through the deep study of this composer,I hope I can grasp the writing style of Schumann' s piano divertimento better,and have a better understanding and interpretation of this composer.