| The film is not only a simple reproduction of the city,but also showing the city’s landscape through the film creators’ understanding and the environment narrative.Beijing is a history endowed with unique temperament and spirit quality of cities and its powerful cultural charm infection has effect millions of people living here.Beijing is the representative of "native China",which is accumulated by the experiences of countless people,and with the change of time gradually transformed into the unique cultural charm.In the 1990 s,China’s rapid economic growth has achieved fruitful results of reform and opening-up,entered the "accelerating period" of social transformation and the China film city space is starting to shift.Society reform has made a dramatic change in Beijing,as China’s capital,Beijing is even more so.Thus,the Beijing urban space there is a combination of traditional and modern two spaces,These two different urban landscapes showed a period of time and history of the stretch.The film described in Beijing,although the "reality theme" in Beijing,but the film creators used in shaping the way is different,with different ways to write a different image of Beijing.The first chapter mainly analyzes the image construction of Beijing as a traditional cultural capital in the film.The courtyard and the alley are not only the recorders of the ancient city history of Beijing,but also the carrier of Chinese traditional culture.Looking back to the nostalgia of the end of the century,the film creators reconstructed the old memories of the old city of Beijing with their own imagination,which has become rich in history and personal imagination of Beijing memory.The second chapter mainly analyzes that in the process of social reform and modernization,Beijing,as the first city,forms a "mobile drawing" to the modern city.And the modern development of the city brings advanced material civilization and the cultural shock and anxious anxiety to the people.The third chapter mainly analyzes the influence ofBeijing’s traditional culture and foreign culture under the tide of globalization,which makes Beijing become a city that has been conceded by globalization.It also laid Beijing as the international new town of imagination and construction in the beginning of the 21 st century.This paper mainly analyzes the Beijing city in the Chinese film in the1990 s.Because of the film as a kind of art,my paper aims to reflect the imagination and interaction relationship between the films and the real city space,and between the films and social culture.As well as I try to reveal the complex relationship between the city and the film through the different images of the Beijing city in the eyes of the film creators in particular times. |
