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Research On The Content Production And Communication Of The Popular Photography In Mobile Social Media

Posted on:2018-04-30Degree:MasterType:Thesis
Country:ChinaCandidate:P XuanFull Text:PDF
GTID:2335330515479670Subject:Journalism and communication
Abstract/Summary:PDF Full Text Request
In 2016,the global number of mobile Internet users has reached 3 billion people,of which nearly 1 billion Chinese users,making up one third.Unconsciously,mobile Internet has been embedded as part of our lives,it began to profoundly change people’s lives and communication methods,began to reset people’s view of time and space.This change also extends to the public photography field,the form of change in constant change,and in recent years a variety of social photography APP appeared,brought it into a new stage."Snapshot" is from Hangzhou "Urban Express"photography department of the members of the main team to create a mobile social photography APP,in the "snapshots",the user can upload their own pictures,you can focus on other Users and view pictures taken by others,and can point to the picture and comments.In addition,APP operators will launch a variety of theme shooting activities,and excellent picture screening and display.In the "snapshots",there are dozens of photographic groups,often on-line and offline photography activities.This article takes the "snapshots" as the main research object,by observing the behavior of the user in the APP and the operation mode of the whole APP,collecting and,sorting the inside of the APP and its related website,the newspaper about the photographic content data,analyzing the public photography In the mobile social software in the new production and dissemination of the way,and try to explore the nature of the sharing of knowledge behind it.Finally,it will compare with the same type of APP,combing the advantages and disadvantages,and the future development direction of public photography to discuss.This paper is divided into four chapters,from the object to the phenomenon,from the phenomenon to the essence,and gradually in-depth discussion of expressive social media in the public photography changes.In the introductory part of the article,the author makes a combing of public photography,social photography,knowledge sharing and photography APP,and points out the current situation of popular photographic development and its current research status.The first one is directly from the "snapshots" APP to start their own a foll range of show,and through the questionnaire survey,collect "snapshots" users of basic information and the use of behavioral information,and through Chart the way for its corresponding analysis.Starting from the second chapter,the author takes "snapshots" as an example to sort out and summarize the new mode of production and the way of mass photography in nomadic social media.Through the comparison with the traditional production and dissemination of photography,combined with the "snapshots" internal users of various practical cases to focus on the public photography in the mobile social media to show the various new features-all the time,Everywhere,no content does not enjoy.The third chapter is the further analysis of the new genes and sharing of popular photography in the era of mobile socialization,which involves the types of knowledge sharing in social photography APP,the factors that affect knowledge sharing,and the role of publicity sharing to photography several aspects.The last chapter is divided into two parts,the first part is the "snapshots" similar to the APP,such as "NetEase LOFTER" and other comparative analysis,combing its advantages and disadvantages,and puts forward corresponding suggestions for its future development.The second part is the author of the mobile Internet era ofunrestricted photography a variety of new phenomena,new features to think,and the future development of public photography put forward the possibility of discussion.
Keywords/Search Tags:photography APP, "snap shot", network community, knowledge sharing
PDF Full Text Request
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