Aesthetic Research On Liu Yong Calligraphy

Liu Yong is a key Tie Study figure before the completion of the conversion from the Bei Study to the Tie Study in the Qianlong – Jiaqing period.He and Weng Fanggang,Wang Wenzhi,Liang Tongshu are four famous people at that time.Liu Yong's calligraphy learns from the Tie study,he constantly in the writing process experience,study and innovation,enriched the study of the calligraphy style,the formation of the unique art of calligraphy,opened up a new style of writing.The development of calligraphy in the Qing Dynasty showed two tendencies: respect Tie and admire Bei.Before the middle period of the Qing Dynasty,the scholars continued the tradition of the late Ming Dynasty,after the Qing dynasty Jiaqing,many scholars turned to Jinshi textual research,monument to join the calligraphy to create the field,increasingly become the Qing Dynasty Mainstream.On the basis of collecting and collating information,this paper explores the cultural knowledge background of Liu family in Zhucheng through combing the evolution of the writing format and the elaboration of Liu Yong's calligraphy style and the construction of calligraphy view,and explores Liu Yong's culture from the perspective of calligraphy aesthetics The Formation of Aesthetic Thought and the Analysis of the Aesthetic Features of Liu Yong 's.The study of Liu Yong 's calligraphy aesthetics is a further extension of his calligraphy creation research,and excavates and extends its aesthetic connotation in his writing form,which can provide a new aesthetic perspective for the contemporary calligraphy creation and appreciation.This paper has three parts.The first chapter mainly combs the development characteristics of the middle period of the middle period,expounds the life of Liu Yong and the family culture background,and concludes the artistic value of Liu Yong's calligraphy.The beauty of the "harmony" has become the important artistic feature of the time of this time;and Liu Yong's life must be affected by the cultural characteristics of this period,and thus lay the basic tone of Liu Yong's calligraphy theory.The second chapter mainly discusses the personality construction of Liu Yong's calligraphy style,and analyzes the style of calligraphy in his early,middle and late years.The third chapter analyzes the formation of Liu Yong 's calligraphy aesthetic thought,and then expounds the aesthetic characteristics of the book body.The conclusion is based on the evaluation of Liu Shichen,Kang Youwei and Wang Wenzhi and other scholars in the Qing Dynasty.He sums up the historical position and academic value of Liu Yong in the Qing Dynasty,with a view to the traditional culture research nowadays.From the study of calligraphy history to abstract speculative aesthetic inquiry,is to study Liu Yong calligraphy deep intrinsic useful attempt.Kang Youwei praised the Qing Dynasty as a masterpiece of the Qing Dynasty.Therefore,the writing of this article is not only the analysis of the unique value of Liu Yong's calligraphy,but also on the study of the Qing Dynasty calligraphy has a whole view,and by the calligraphy extended to the people of that time.The aesthetic thinking of the current calligraphy creation theory and practice cannot be ignored the practical significance.