The Interpretation Of Pan Jinlian’s Image Under The History Context

Since the All Men Are Brothers writing in the early Ming dynasty,Pan Jinlian’s image has always been valued by literary scholars in different times,and becomes one of the enduring literary prototype in the Chinese literature gallery.The image is as a prototype of the element,symbolic,reproducibility.On the one hand,though always in the deep structure of culture.On the other hand it happen and derivation with historic factors of imprinting,and its image and form appears as a process of dynamic mode,and rheology between the image by different writers creative practice activity,displacement deformation in different style,in a number of works again and again,in the long time development continues to be given a new definition and connotation,not only activate the deep national emotion and human collective unconsciousness,and bearing the weight of the era of new content,value orientation,gender concepts and spiritual implication.Throughout history,Pan Jinlian from the heroic age of migration shy Shinaian to Lan Ling Xiao Xiao Sheng timbres street,walk from OuYangYu Qian’s drama stage in Wei minglun lecture room,from He Xiaozhu land through to Lilbihua besides the charm the world,has made the historic first whore "of the original image,and gradually fade the essence of vessel and the marks of shame,change to the core by the tragedy of the legendary and character glorious women.On this basis,this paper put the lotus of the Pan Jinlian’s image of the rheological history in Chinese historical and cultural context,the prototype in all previous dynasties writer’s literature is explored in this paper different interpretation and alternative performance,try from the perspectives of human nature and women,the image meaning of Pan Jinlian to questioning and reflection of deposition in view of hundreds of years of history,tries to present the Pan Jinlian’s image in all aspects of undertaking and the new change,deduce and deploitation.This paper will be divided into three parts: first of all points above the research of Pan Jinlian’s characteristics of the characters in the image in classical literature,combined with the All Men Are Brothers,Jin Ping Mei and water margin play text,tracing to its prototype of the initial model and forming process;Based on social change and literary movement after a macro level,combing the research of Pan Jinlian displacement deformation of image in modern literature,parsing OuYangYu Qian and Tianhan "May 4th" pioneers of relevant script,highlight extraction based on characteristics of the two plays and the characters,so as to evaluate the new meaning and artistic value of Pan Jinlian’s modern image;Finally puts judging eyes with Wei Ziyun,He Xiaozhu,Weiminglun,Libihua and other related works of contemporary writers,integrated its writing background,writing ideas,methods and gender perspective of adaptation,from prototype and narrates and writing both sexes,points mentioned in the text,and compare four kinds story model,narrative methods and the character image,image reveals the lotus of Pan Jinlian in the contemporary literary arena another deduction and diverse,which connect the restore time behind the connotation and deep factors,explore the female subject from aphasia to voice,from absence to return to the historical process.In addition,in the process of interpretation of the above views,the author will focus on the adaptation of Pan Jinlian’s image in different writers work as some analysis,makes every effort in the right master its rheological phenomenon and reshape the track at the same time,the defects of art and aesthetic defects existing in the meantime,reasonable exploration and scientific evaluation.