Study On The Artistic Features Of Soubrette Soprano

Soubrette soprano is a voice branch of German vocal division system,it’s divided according to physiological conditions,singing ability,different timbre standards and specific sounds.The development of vocal art has a long history.Following the Recitative in Greek tragedy,Perry,Khaki Nigeria,Monteverdi created Sortita,in order to cater to the tragedy in the square show with the same effect.The original voice and falsetto were canceled,then real solo singer were coming into being.Accompanied with adequate respiratory support and plump,bright and clear articulation is integrant in the real singing and then this type singing was then gradually developed into bel canto.The bel canto is an expressing way to adapted to the composer and recitative aria performance,and the product of the bel canto opera.The bel canto is not only a kind of singing skills,but also a product of Renaissance humanism.Vocal skills were well developed from Castratos on seventeenth century to Gluck in eighteenth century and were well expanded by Bellini,Verdi,Rossini and so on in nineteenth Century,the singing techniques were developed scientifically and technically at the same time.Then the bel canto was developed step by step toward maturity.The thirteen part system divided by Germany FASH system,is a sign of the maturity of vocal technology,they provide a rigorous criterion for us to continue exploring the vocal singing skills.In this paper,the research objects are the singing styles,vocal skills and their important role in singing training of the Soubrette soprano.In the introduction part,the author analyzes the research motivation and research significance.The main part of the thesis are divided into three chapters:the first chapter discusses the developing background of the Soubrette soprano,the representative figures and their representative productions;in the second chapter,we compared the Soubrette soprano with other vocal branches through anglicizing voice and sound characteristics,vocal ranges,melody features,rhythms and then summarized the unique style and singing skills of Soubrette soprano;in the third chapter,combined with the author’s own vocal learning experience,we introduce some problems that need to be solved in order to master the singing skills of Soubrette soprano and the importance of grasping the vocal part accurately in vocal music learning is pointed out at the same time,then training method and corresponding phrase characteristics were listed,at last we sum up ways to master the artistic features of Soubrette soprano.In the end we summarized the full text.