Study On Application Of China Landscape Painting Water Painting

In this paper, we study objective analysis of the landscape painting from the ancient landscape evolution in the role and meaning of knot. Analysis in the knot in the Chinese painting brushwork to shape vivid, lively, ink color, white keep black rule. From the colour of the knot to the connection between the object and rapid expanding size of performance, the actual effect of knot, knot keep black, parse the landscape painting theory is the effect of modern landscape painting creation is of important practical significance. From the original Chinese painting for functional step by step towards the visual aesthetic, in the process of the anchorage of the ancients give them too much. Apprehend the landscape natural quality; Understanding of landscape painting in the exploration of the universe the Taoist thought of truth. To explore the landscape of the disposition of finished god and nature.In this paper, the research methods:comb landscape everyone works from the ancient to the yuan, appreciate rapid development gradually, and the exploration of cultural background. Understanding of learning landscape painting theory of knot related layout for the important theory of landscape. To grasp the regularities of landscape painting, further theoretically explore cognitive reasons of modern painting. All kinds of arts relations, combined with modern argument leather bureau of evolution of the modern landscape painting. In the analysis of traditional techniques and modern skills and demonstrate the knot to the landscape. From changes in the history of landscape painting development in-depth comparative analysis of inner evolution law in its style, clear landscape change, seeking regularity of thinking, analyzing the importance of the new atmosphere of modern landscape and the inevitable trend. Mining interpretations from the study the change of the "knot", explore the landscape painting with people contact, understand how to from the "knot" convey the artist's mind; Knot in the landscape painting as a subject, such as mediation, symbol image is how to play a role in the landscape painting space building, rapid analysis in various historical periods shows the difference of the structure and purport; Again to discuss about the western and Chinese landscape composition of the form elements are composed of the schema to build relationships; The composition of Chinese painting on black and white, color separation, such as ancient meaning, imitation, brushwork factors relationship with knot. Specific to the research work, according to the collected data, some related techniques, painting made in the process of landscape painting, analyzed and discussed. The full text is divided into three parts: the first part:in different periods of rapid change; The second part:rapid and blank of say; The third part:rapid composition and form said.Through research and analysis to get the following results:early landscape paintings of knot is a simple narrative of the xuan Taoist image; With Tang Wenren knot is thinking of nature; Five dynasties and ten states knot is the change after natural truth; Knot, the northern song dynasty is the product of cardiac and nature is god and all of the communication;. The southern song dynasty knot is the comfort of the soul; Knot is the yuan dynasty literati to ancient ao however of innovation; In the Ming dynasty knot is archaize of schemata. Paintings depict the development and changes are in accordance with the physical law of reflection-pursuit of imagery from simple to complex loop asymptotic development process, theoretical system constantly enrich and in the process of its development. Landscape painting of nature centered view of nature, is affected by Taoism natural view, the tao of natural, because everything is the result of that in the literati paintings with water as the basic object, use metaphors to construct their own philosophy. Knot is closely related to people's lives are closely linked, some kind of uncertainty, fuzziness or mysterious determines the painting of the random choice in different ways, but is always the root of being dependent. Because this article is based on their own practice of "water" history and refer to the works and information works online, shallow do their own theory of ability, practical ability and painting objects ability is limited, so there may be deviation and error analysis.Conclusion:the landscape is the realization of people having with mountain water nature to explore the universe of truth, with the rapid expanding thinking rocks, with the help of knot in the face of life, with the help of rapid look at yourself. See in the study from the ancients the original picture of piao zhuo, to reflect on the hidden law of painting, further express feelings more abundant landscape images. Express-reflection-to express a gradual process, in which theory system of continuous development. For the research into the knot to realize "white" is an important theoretical knowledge, only understand the true connotation of the "white" but to better keep black. Understanding of "white", of a technique of black, black color only into system. The design of modern landscape painting of the black and white view with the western form that has the same principles and rules, constitute the principle of rational, logical affect the modern landscape painting theory, under the guidance of landscape painting in a more clear HuaLi a new landscape., also make people more perspective to understand the composition of landscape painting. Let the landscape painting theory has a more complete system.